Name: God Get Me the Fuck Out of Here
Brand: Cold Gawd

Bonus disc

Bonus disc: No

Catalogue number

DAIS206LPC2

Colour

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: Yes

Format detail

Format Music GB

Limited edition

Release date

2023-07-14

Signed copies

Signed copies: No

Supplier GB

Tax rate GB

Standard:20

UPC / Barcode

683950555884

Total Cap

DAIS206CD

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Extended format: No

2022-11-25

0011586672994

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1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

DAIS206LP

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Black

0011586673014

{"blocks": [{"data": {"text": "0011586673014"}, "type": "paragraph"}]}

1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No / black

DAIS206LPC4

{"blocks": [{"data": {"text": "DAIS206LPC4"}, "type": "paragraph"}]}

Clear

0683950555914

{"blocks": [{"data": {"text": "0683950555914"}, "type": "paragraph"}]}

1 / Extended format: Yes / LP / Rough Trade Exclusive: No / Signed copies: No / clear

Artist

Cold Gawd 

Genre GB

Alternative / Modern

Label GB

Dais

Dais Records is an independent American record label founded by Gibby Miller and Ryan Martin in 2007. Based in Los Angeles, California and New York, New York, Dais Records operates as a genre-agnostic label with a focus on experimental and avant-garde music. The label represents both emerging and established active artists while also curating rare and out of print material for reissue projects. Dais Records exclusively distributes its releases through Secretly Distribution.

Newest Listed Items

Back In Stock

Cold Gawd is the flag under which California-based multi-instrumentalist Matt Wainwright creates stormy, wounded shoegaze music born of open tunings and R&amp;B melodies. His second collection, God Get Me The Fuck Out Of Here, took shape in the winter of 2020 while working long solo shifts at a coffee shop in Chicago. Fueled by dreams of returning to his hometown of Rancho Cucamonga and reconnecting with old friends from past hardcore bands, Wainright holed up with his coveted pink Jazzmaster, an array of FX pedals, and a laptop, and wrote the entire album in a month. In March of 2021 he made the move, heading back west to the Inland Empire, where he booked sessions with Gabe Largaespada at Open Ocean to track and mix. Despite recording every instrument himself, the results have the lived-in feel of a practiced live band (which Cold Gawd now are, fleshed into a sixpiece). Cascading walls of guitar churn, surge, and ripple, framed by sunken rhythms and Wainright’s distant, defeated voice, veiled in violet haze. He cites the thematic common ground between shoegaze and R&amp;B as a central muse, both obsessively fixated on love, lust, and longing, in forms alternately grandiose and minor key. Lyrically the album sways between oblique and desperate, yearning and resigned – with the exception of “Comfort Thug,” a brooding, largely improvised spoken word piece inspired by the notable lack of black musicians in shoegaze. Cold Gawd is here to change that. God Get Me The Fuck Out Of Here channels malaise and melancholy into gauzy, galvanized anthems of escape, change, and introspection. The crushing closing cut, “Passing Through the Opposite of What It Approaches,” heaves and hovers like looming storm clouds, beneath which Wainright sings (and bandmate Arturo Ramirez screams) as close to a mission statement as the album offers: “leave what you know / and get grown / everyday / remember /why you left.”

God Get Me the Fuck Out of Here

Music GB