Name: Water Ave S
Brand: Damien Jurado

Bonus disc

Bonus disc: No

Catalogue number

SP374

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Colour

Blue

Colour details

Blue Curacao 

{"blocks": [{"data": {"text": "Blue Curacao "}, "type": "paragraph"}]}

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2022-10-14

Signed copies

Signed copies: No

Supplier GB

PIAS

Tax rate GB

Standard:20

UPC / Barcode

98787037401

Total Cap

1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No / blue

Artist

Damien Jurado

Genre GB

Singer Songwriter

Label GB

Sub Pop

American indie/folk singer/songwriter and guitarist. His solo career began during the mid-1990s, releasing lo-fi folk based recordings on his own cassette-only label, [l188419] Gaining a local cult following in Seattle, he was brought to the attention of Sub Pop Records by Sunny Day Real Estate singer [a=Jeremy Enigk].

His musical career is marked by periods of close collaboration with various musicians. Until about "I break chairs" his work was closely linked to [a=Pedro The Lion] and [a=David Bazan]. From then until "Caught In The Trees", [a=Eric Fischer] became his companion as a musician and producer. The most significant change in sound came when he met  the late [a=Richard Swift (2)], with whom he collaborated from "St. Bartlett" to "Visions Of Us On The Land."Since "The Horizon Just Laughed" [a=Josh Gordon] has been his new musical partner.

Other frequent contributors were the members of [a=Gathered In Song], [a=Rosie Thomas] and [a387255].

His full-length albums have been released on [l77343], [l35538], [l44370] and [l363414]. In 2021 he founded [l=Maraqopa Records]. From 2004 to 2007 he also co-ran  [l77015].

Short for "Subterranean Pop" 

The label was an outgrowth of [a=Bruce Pavitt]'s Olympia, WA based (print) fanzine, which became the well respected cassettezine of the same name. 

After his move to Seattle he ran a music column in the Seattle Rocket also called Sub Pop.

After initial forays into the record label world with a [a=Green River] 7" (not officially on Sub Pop) and the Sub Pop 100 LP, the label exploded onto the indie scene with four influential colored vinyl 7"s which included [a=Mudhoney]'s "Touch Me I'm Sick" which made the year-end top 10 playlist of nearly every music journalist in the world.

Subsequent hyping of the label in the English music press put them on the map, and grunge was born.

Label-Code is 03159; rarely found printed on releases (basically only on releases manufactured/licensed by Warner/WEA Germany)

1997 debut album by Seattle indie-rock icon Damien Jurado. This repress brings the record back to vinyl for the first time since its original 1997 pressing. Produced by legendary producer Steve Fisk (Soundgarden, Beat Happening, Nirvana, Minus the Bear, Low, Mudhoney).

The work of a young artist driven by complex inner visions, the LP offers a fresh chance to examine how far Jurado has come in the 25 years since its release—but also demonstrates how much of his point of view and vivid scenecraft was firmly in place from the very start. 

A veteran of the DIY punk and hardcore scenes, Jurado had begun taking steps into the world of lo-fi home recording. But with renowned indie rock producer Steve Fisk acting as producer, <i>Waters Ave S</i> introduced Jurado to the independent music world, presenting a set of 13 songs that encompass odes to remote desert outposts, late-night conversations with Elvis, a purple anteater, and the great beyond. Though new to the studio, Jurado’s storytelling lens is well honed; these compositions are filled with characters wandering the psychic wilderness, flawed but nonetheless certain of themselves, or at least certain enough. 

Those only familiar with Jurado’s ambient-tinged folk or AM gold psychedelia will find the album more punky than expected, replete with post-punk basslines, electric guitars, and a youthful tenor to Jurado’s voice. But what’s most striking about the record is how fully-formed his world is, especially on songs like the lilting, drum-looped “Angel of May,” the sci-fi “Space Age Mom,” and mournful simplicity of the title track. Jurado was just getting started, but the path he’d follow seems laid out by <i>Waters Ave S</i>. 25 years later, it’s clear that the creative spirit that fuels this idiosyncratic and exuberant record is one that still propels Jurado to this day.

Water Ave S

Music GB