Name: Beyond Even
Brand: Fripp and Eno

Bonus disc

Bonus disc: No

Catalogue number

DGM0702

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Colour

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2020-06-26

Signed copies

Signed copies: No

Supplier GB

Little Amber Fish

Tax rate GB

Standard:20

UPC / Barcode

0633367070227

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Total Cap

1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

Artist

Fripp and Eno

Genre GB

Electronic

Label GB

Panegyric

Panegyric is a renowned music label that originated as a UK distributor for various artists. Over time, it evolved into an independent brand, focusing primarily on musicians associated with the iconic band King Crimson.

With LC 00614 as its unique identifier, Panegyric has established itself as a trusted platform for fans of progressive rock and related genres. The label offers a diverse range of music from talented artists who have been influenced by or collaborated with members of King Crimson.

As a leading e-commerce website in the music industry, Panegyric provides an extensive collection of albums, merchandise, and exclusive releases. With its informative and authoritative tone, the label ensures that fans can easily discover and enjoy the extraordinary talent within their carefully curated catalog.

While 2004's The Equatorial Stars, was long-awaited missive after a lengthy hiatus for most fans, few of us knew that the ambient twosome had been working on and off for more than a decade beforehand. Thus Beyond Even (previously cheekily-titled Works Of Startling Genius and available as a limited edition of separate tracks or one long piece) comes as a very welcome surprise.

Actually to describe this collection of sketches and works-in-progress as 'ambient' would be a total misnomer. Yes, parts (especially those which obviously came from the same semi-somnambulant sessions that produced !Stars) are as floaty and bath-time friendly as you'd expect, but there are also (as you'd expect with anything touched by the hand of Fripp) a fair few unsettling moments too. This makes the non-sequenced version of the album a little easier to take, as the stylistic jumps can be, well!startling.

Eno's instrumental work has tended more towards a beat-driven axis in recent years and this is reflected in the dubwise fog of 'Ringing Beat' or the more Crimson-esque 'Tripoli 2020', 'The Idea Of Decline' or 'Cross Crisis In A Lust Storm', where Fripp gets to spray that burning guitar all over the loops as in days of yore.

The other downside is that Fripp's midi tones in places have strangely dated: an occupational hazard with anything that was once so cutting edge. The funky xylophone/singing bowl and breathy ethereal choir tones in particular. Often you long for the simpler Frippertronic days of fuzz pedal and Revox that graced No Pussyfooting and Evening Star, but this is still an album filled with shimmering beauty and spooked wonderment. Eno's production adds just the right quantity of warp and grit, like filtering spring water through a rusty can. It's 90 percent serendipitous. His soundbeds always inspire Fripp to give his best. It was ever thus on Eno's own early albums and now, thirty years later, this still sounds like the work of people born to collaborate

Beyond Even

Music GB