Name: A Fine Mess
Brand: Interpol

Bonus disc

Bonus disc: No

Catalogue number

OLE14311

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Colour

Black

Colour details

Discogs ID

[r13626644]

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Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2019-05-17

Signed copies

Signed copies: No

Supplier GB

PIAS

Tax rate GB

Standard:20

UPC / Barcode

744861143116

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Total Cap

1 / 12" / Extended format: No / Rough Trade Exclusive: No / Signed copies: No / black

Artist

Interpol

Genre GB

Alternative / Modern

Label GB

Matador

Interpol is a renowned band that was formed in New York City in 1997. With their original line-up consisting of Greg Drudy on drums, Daniel Kessler on guitar, Paul Banks on vocals and guitar, and Carlos Dengler on bass (who left the band in May 2010), they have made a significant impact in the music industry.
Known for their distinctive sound and captivating performances, Interpol has garnered a loyal fan base worldwide. Their music blends post-punk revival with indie rock elements, creating a unique and atmospheric sound that sets them apart from other artists.
Over the years, Interpol has released several critically acclaimed albums, including "Turn On the Bright Lights" and "Antics." Their introspective lyrics coupled with their polished musicianship have earned them praise from both fans and critics alike. With their influential contributions to the alternative rock genre, Interpol continues to be an iconic presence in the music scene.

U.S. independent label based in NYC; for company roles and copyrights please consider [l390562] for the USA, [l=Matador Records Ltd.] for the UK company division and the generic company profile relating to either legal entities [l=Matador Records (2)] 
[b]Note that while some Matador releases are exclusive to North America or Europe, they use one numbering system for all releases, so it is not necessary to enter them under separate labels.[/b]

The Matador label began in 1989 when [a=Chris Lombardi] dragged the Austrian duo H.P. Zinker into Wharton Tiers’ Fun City studio to record OLE-001, ...and there was light. Run out of Chris’ New York apartment, Lombardi added artists such as the Dustdevils, Railroad Jerk and Superchunk to the initial roster. Joined by longtime Homestead Records manager Gerard Cosloy in 1990, Matador experienced its first taste of crazed media attention & big sales with the North American release of Teenage Fanclub’s debut long-player, A Catholic Education. Over the years, the label has moved from shoebox sized offices to larger and larger complexes, the staff has grown from 2 to 24, and the roster has simply exploded. As well as functioning as the North American home to Pavement, Liz Phair and The Jon Spencer Blues Explosion, Matador has helped artists such as Yo La Tengo, Cat Power, Cornelius, Solex, Pizzicato Five, Helium and the Arsonists reach audiences worldwide.

Matador has also served as the North American licensee for a number of exceptional international acts, including Belle & Sebastian, Mogwai, Boards of Canada, Red Snapper, Arab Strap and others. Since 1996, Matador has maintained separate offices and staff in London. In addition to supervising the promotion, sales and marketing of Matador titles on the continent, Matador Europe has also licensed recordings from some of North America’s most acclaimed new artists, M. Ward, Sleater-Kinney, Modest Mouse, and Superchunk to name a few.

While Matador has often been characterized (not by the label itself) as an underground or "indie" rock label, over the years, the label’s musical direction has grown, to the point where many hip hop, electronic and experimental acts play as prominent a role in the label’s sound & future as any number of singer/songwriters and rock bands. Sometimes all of the above converge.

During the 1990s, Matador entered into partnerships with [l=Atlantic] and [l=Capitol Records]. In 1999, Lombardi & Cosloy purchased back Capitol's 49% share of the label, and in 2002, [l613604] purchased 50% of the legal entities behind the Matador label / imprint [l390562] and [l291335] and took over Matador's worldwide marketing.

Back In Stock

Recorded during time spent in upstate New York with Dave Fridmann, the five songs that make up A Fine Mess gradually emerged as a body of work with a narrative and flow unto itself. The title track, and BBC 6 Music-playlisted single Fine Mess then received further production from Kaines and Tom A.D. and mixing from Claudius Mittendorfer, who had first worked with Interpol as engineer on Our Love To Admire. The resulting set is a living, breathing postcard from the band to their fans as they tour the world throughout 2019, and a linear continuation of the visceral and contagious energy set loose with Marauder.

Echoing its title, the artwork for A Fine Mess is illustrated by a series of lost images, recovered from an abandoned police station in Detroit, MI. In a crumbling evidence room - amongst the rubble - an undeveloped roll of film, dated “1-20-96”, featured latent images of a breaking and entering scene, the rooms in chaos.

From the beguiling refrain of the title track, to the soulful topsy-turvy of No Big Deal, cathartic chorus of long sought-after live favourite Real Life, anthemic swell of The Weekend, and angular shades of Thrones, A Fine Mess is a bracing and distinct entry in Interpol’s oeuvre.

A Fine Mess

Music GB