Name: I Could Be Your Dog / I Could Be Your Moon
Brand: Kaitlyn Aurelia Smith and Emile Mosseri

Bonus disc

Bonus disc: No

Catalogue number

GI404LPC1

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Colour

Blue

Colour details

Transparent Blue

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Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: Yes

Format detail

Format Music GB

Limited edition

Release date

2022-05-27

Signed copies

Signed copies: No

Supplier GB

Tax rate GB

Standard:20

UPC / Barcode

0804297840420

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Total Cap

1 / Extended format: Yes / LP / Rough Trade Exclusive: No / Signed copies: No / blue

GI404LP

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Black

Extended format: No

0804297840413

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1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No / black

Artist

Kaitlyn Aurelia Smith and Emile Mosseri

Genre GB

Experimental / Avant-Garde / Industrial / Noise

Label GB

Ghostly International

Ghostly International is a renowned music label based in Brooklyn, New York City. Established in 1999 by Samuel Valenti IV, the label has become a prominent figure in the electronic music scene. With its diverse roster of talented artists and innovative releases, Ghostly International continues to push boundaries and shape the future of music.

Over the years, Ghostly International has garnered a reputation for its distinct sound and commitment to quality. The label's catalog spans various genres including electronic, ambient, techno, and experimental music. From established acts to emerging talents, Ghostly International consistently delivers exceptional musical experiences that captivate listeners worldwide.

With its headquarters situated in one of the world's most vibrant cities for music and culture, Ghostly International draws inspiration from the dynamic energy of New York City. The label's forward-thinking approach coupled with its dedication to artistic integrity has earned it widespread acclaim and a loyal fanbase.

“His music filled me with the urge to connect with the world,” Kaitlyn Aurelia Smith says of Emile Mosseri. She first heard his work while watching the 2019 film The Last Black Man In San Francisco; just minutes in, she paused it to look up who did the score and wrote to him immediately. “I love Emile’s ability to create melodies that feel magically scenic and familiar like they are reminding you of the innocence of loving life.” Those talents saw recognition in 2020 with an Oscar nomination for Mosseri’soriginal score to the film Minari. He was already a fan of Smith’s and became increasingly intrigued by her impressionistic process as they started to talk. “The music feels so spiritual and alive and made from the earth,” Mosseri says. “I think of her as the great conductor, summoning musical poetry from her orchestra of machines.” I Could Be Your Dog / I Could Be Your Moon, their two-part collaborative album, introduces an uncanny fusion of their sonics. Constructed using synthesizer, piano, electronics, and voice, this soft-focus dream world is lush, evocative, and fleeting. It finds two composers tuning their respective styles inward as an ode to mutual inspiration, a celebration of the human spirit and its will to surrender to the currents of life. Early into their correspondence, Smith and Mosseri realized they were neighbors in Los Angeles and met up for a few hikes. Their conversations led to a musical exchange over email. The exercise became a sketch, the start of their first song together, “Log In Your Fire,” with Mosseri finding flourishes in Smith’s cathartic synth lines to intonate and harmonize alongside. Lyrically, it’s a beautiful, open-ended sentiment. “Being a log in someone’s fire, to me, means letting go, and surrendering to that feeling,” says Mosseri. From there, the pair composed a series of musical foundations, trading files from afar, nurturing the eventual expansion as the remote days of 2020 set in. Smith likens the collaborative experience to the exciting uncertainty of starting a garden, “doing what I can to facilitate growth while enjoying the process of being surprised by what will actually grow.” In the summer of 2021, the duo finished work on the sequel, I Could Be Your Moon, expanding their musical language as the first part reached its September release. Songs from these more recent exchanges find them even more synced, forging into percussive and harmonic experiments, leaning further into their “unused musical muscles,” as Smith and Mosseri put it. A unified vocal presence emerged. “As the friendship grew I think we both learned how to support each other more and musically that was communicated through singing together,” adds Smith. Now taken as a full album set, I Could Be Your Dog / I Could Be Your Moon moves fluidly from track to track, panning through textural vi- gnettes. Two roughly 17-minute halves, the set evokes the bittersweet sense of something too bright or rare to last, a short-lived glimpse into a golden hour. There is a dreamy, elemental intention to this music, which Smith and Mosseri say came naturally, as they both embraced intuitive interplay throughout their creative back-and-forth. The stylistic threads of each composer are recognizable yet become more ambiguous as the album progresses, sewn into a singular vision. “I’m so grateful that my musical ideas could dance with hers with some grace and harmony,” says Mosseri. Smith adds that this experience helped her “remember that mu- sic can be a connecting layer of friendship, especially in a time when the usual ways were out of reach.”

I Could Be Your Dog / I Could Be Your Moon

Music GB