Album artwork for Superwolves by Bonnie Prince Billy

Where once was Superwolf, now roam Superwolves, the new album and demon spawn of Matt Sweeney and Bonnie ‘Prince’ Billy.

The songs that make up Superwolves, the duo’s second album and first since 2005’s Superwolf, go boldly into undreamed-of places, and go deep, as Matt and Bonny take all the musics they know to make songs that penetrate. In classic Garcia-Hunter style, Sweeney and the ‘Prince’ first work separately, finding a path to each other in their solitary imaginings. Bonnie lyric sets delivered to Matt spark Sweeney’s guitar brain; chords and a melody are shaped, recorded fast and loose and sent back to the Prince, then the two parties meet up to sing, stitch, strengthen and finally perform them together in front of a small unsuspecting audience. Then new sets of lyrics are sent, animated and played in a high wire style until the shared songs and experiences are ready to commit to record. This is just the beginning of their fusion process, as words imply vocalizations to counter and support, and guitar lines suggest harmonic fields to subtly push into. In this process, a new creature grows out of the old one. In this name of this partnership, the guitar shares an open and fluid space with the vocals, the voices sing with the guitars - every moment in the life of Superwolves is an extravaganza, guided only by its need.

As far as this record, as in when and how it came together, the two man crew started working on it five years ago. The first actual session, however, went down about a year ago at Brooklyn’s Strange Weather and the next took place at the Butcher Shoppe in Nashville. Sweeney oversaw the mixing of the Brooklyn sessions with Oldham overseeing the Nashville mixes. On the album, Sweeney sings harmonies along, with, and around his favorite singer, and plays all electric, acoustic, and bass guitars, joined in places by David Ferguson on stand-up bass, Mike Coltun on electric bass, Mdou Moctar on electric lead, Ahmoudou Madassane on rhythm guitar, Souleyman Ibrahim, Ryan Sawyer and Peter Townsend on drums and Mike Rojas on keys. The Bonnie ‘Prince’ sings. Does he ever. And Superwolves rules over all.

Bonnie Prince Billy

Superwolves

Domino
Album artwork for Superwolves by Bonnie Prince Billy
LP

£27.99£13.99

sale

Housed in Tip On Sleeve with Fold-out Lyric Insert.

Black
Released 16/07/2021Catalogue Number

WIGLP492

Learn more
Album artwork for Superwolves by Bonnie Prince Billy
LP +

£27.99

Housed in Tip On Sleeve with Fold-out Lyric Insert. Includes Temporary Tattoo Giveaway

Ocean Blue.

Released 16/07/2021Catalogue Number

WIGLP492X

Learn more
Album artwork for Superwolves by Bonnie Prince Billy
CD

£11.99

Released 16/07/2021Catalogue Number

WIGCD492

Learn more
Bonnie Prince Billy

Superwolves

Domino
Album artwork for Superwolves by Bonnie Prince Billy
LP

£27.99£13.99

sale

Housed in Tip On Sleeve with Fold-out Lyric Insert.

Black
Released 16/07/2021Catalogue Number

WIGLP492

Learn more
Album artwork for Superwolves by Bonnie Prince Billy
LP +

£27.99

Housed in Tip On Sleeve with Fold-out Lyric Insert. Includes Temporary Tattoo Giveaway

Ocean Blue.

Released 16/07/2021Catalogue Number

WIGLP492X

Learn more
Album artwork for Superwolves by Bonnie Prince Billy
CD

£11.99

Released 16/07/2021Catalogue Number

WIGCD492

Learn more

Where once was Superwolf, now roam Superwolves, the new album and demon spawn of Matt Sweeney and Bonnie ‘Prince’ Billy.

The songs that make up Superwolves, the duo’s second album and first since 2005’s Superwolf, go boldly into undreamed-of places, and go deep, as Matt and Bonny take all the musics they know to make songs that penetrate. In classic Garcia-Hunter style, Sweeney and the ‘Prince’ first work separately, finding a path to each other in their solitary imaginings. Bonnie lyric sets delivered to Matt spark Sweeney’s guitar brain; chords and a melody are shaped, recorded fast and loose and sent back to the Prince, then the two parties meet up to sing, stitch, strengthen and finally perform them together in front of a small unsuspecting audience. Then new sets of lyrics are sent, animated and played in a high wire style until the shared songs and experiences are ready to commit to record. This is just the beginning of their fusion process, as words imply vocalizations to counter and support, and guitar lines suggest harmonic fields to subtly push into. In this process, a new creature grows out of the old one. In this name of this partnership, the guitar shares an open and fluid space with the vocals, the voices sing with the guitars - every moment in the life of Superwolves is an extravaganza, guided only by its need.

As far as this record, as in when and how it came together, the two man crew started working on it five years ago. The first actual session, however, went down about a year ago at Brooklyn’s Strange Weather and the next took place at the Butcher Shoppe in Nashville. Sweeney oversaw the mixing of the Brooklyn sessions with Oldham overseeing the Nashville mixes. On the album, Sweeney sings harmonies along, with, and around his favorite singer, and plays all electric, acoustic, and bass guitars, joined in places by David Ferguson on stand-up bass, Mike Coltun on electric bass, Mdou Moctar on electric lead, Ahmoudou Madassane on rhythm guitar, Souleyman Ibrahim, Ryan Sawyer and Peter Townsend on drums and Mike Rojas on keys. The Bonnie ‘Prince’ sings. Does he ever. And Superwolves rules over all.