Name: Aspects
Brand: STR4TA

Bonus disc

Bonus disc: No

Catalogue number

BWOOD240CD

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Colour

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2021-03-26

Signed copies

Signed copies: No

Supplier GB

Tax rate GB

Standard:20

UPC / Barcode

5060180324803

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Total Cap

1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

BWOOD240LP

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Black

2021-07-30

5060180324643

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1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No / black

Artist

STR4TA

Genre GB

Funk / Soul

Label GB

Brownswood Recordings

Brownswood Recordings is a British label that was started in 2006 by Gilles Peterson. It originated from the Brownswood Records imprint, which was a side-label of Talkin' Loud (part of Mercury). The label draws inspiration from the Brownswood Basement sessions that Gilles did on his BBC Radio 1 'Worldwide' show. These sessions showcased modern jazz-influenced dancefloor music and continue to inspire newer musicians and producers today. Brownswood Recordings serves as an outlet for artists who are unique or overlooked by other labels, providing them with a space to release their work.

The label also features projects such as Gilles Peterson's Havana Cultura Band and Sonzeira, which are influenced by Cuban and Brazilian music respectively.

With its commitment to showcasing diverse talent and nurturing creativity, Brownswood Recordings has become an influential force in the music industry since its establishment.

Collaboration between [a=Gilles Peterson] and [a=Jean-Paul Maunick] aka [a=Bluey (3)] inspired by 80s Brit Funk bands such as [a=Central Line] and [a=Atmosfear].

Gilles Peterson has partnered with Jean-Paul “Bluey” Maunick to reinvigorate the loose, protean energy of the early-80s Brit-funk scene. STR4TA sees them mine new musical possibilities outof that shared formative era. On “Aspects”, they revisit that important period and the spirit that guided it: self-taught, DIY vitality, and a raucous energy built on live performance. Bringing a fresh slant to a sound first developed by groups like Atmosfear, Hi-Tension, Light of the World and Freeez – with Maunick, it should be noted, also a member of the latter two bands – it’s the first material that Maunick and Peterson have released together in over a decade.

It’s an idea that had been in the works for a while, but which was encouraged by a surprising catalyst: the award acceptance speech by Tyler, the Creator at the 2020 Brit Awards, where he shouted out the influence of “British funk from the 80s”. It was an acknowledgement of the particular sound that Maunick and his peers had honed, where their US influences were reoriented through their own circumstances. “Like everybody else who plays music, we tried to emulate our heroes,” Maunick says. “But we didn’t have the tools, we hadn’t studied music: were all playing by ear, and we were coming off bits and pieces that we liked off certain records.” This record is guided by the same ethos. An array of musical touchpoints have fed into the album’s direct, no-frills entries: each track’s parts are cut back to the bare bone. In writing and recording the album, the pair of them would work together to strike upon the point of departure – more naive, less considered – that had produced that killer Brit-funk sound. Peterson would dig out records that showed particular flashes or moods as jumping off points, and Maunick would then work with collaborators to build new directions out of those prompts or suggestions.

Aspects

Music GB

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