Name: I Can Feel You Creep Into My Private Life
Brand: Tune-Yards

Bonus disc

Bonus disc: No

Catalogue number

4ad0052lpe

{"blocks": [{"data": {"text": "4ad0052lpe"}, "type": "paragraph"}]}

Colour

Clear

Colour details

Discogs ID

[r11444060]

{"blocks": [{"data": {"text": "[r11444060]"}, "type": "paragraph"}]}

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: Yes

Format detail

Limited Clear Vinyl with alternative cover. 

Format Music GB

Limited edition

Release date

2022-05-06

Signed copies

Signed copies: No

Supplier GB

PIAS

Tax rate GB

Standard:20

UPC / Barcode

191400005204

{"blocks": [{"data": {"text": "191400005204"}, "type": "paragraph"}]}

Total Cap

1 / Extended format: Yes / LP / Rough Trade Exclusive: No / Signed copies: No / clear

4ad0052lp

{"blocks": [{"data": {"text": "4ad0052lp"}, "type": "paragraph"}]}

Extended format: No

Black Vinyl.

{"blocks": [{"data": {"text": "Black Vinyl."}, "type": "paragraph"}]}

2018-01-19

191400005211

{"blocks": [{"data": {"text": "191400005211"}, "type": "paragraph"}]}

1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No

4ad0052cd

{"blocks": [{"data": {"text": "4ad0052cd"}, "type": "paragraph"}]}

191400005228

{"blocks": [{"data": {"text": "191400005228"}, "type": "paragraph"}]}

1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

Artist

Tune-Yards

Genre GB

Alternative / Modern

Label GB

The influential 4AD label was started in 1980 by music enthusiasts Ivo Watts-Russell and Peter Kent with financial help from Beggars Banquet, whose record store chain the pair worked for. Originally called Axis, they released an initial series of four 7" singles before finding out that the name Axis was already being used by another label. They quickly came up with a new name, 4AD, inspired by typography on a flyer announcing their releases. Under Ivo Watts-Russell's guidance, drawing influence from other UK indie labels such as Beggars Banquet, Postcard Records and Factory, 4AD quickly established a unique identity thanks to both the cover designs of Vaughan Oliver/v23 and the label's unique numbering system.

In 1992, 4AD entered a highly publicized Stateside distribution deal with Warner Bros. Records, opening offices in New York headed up by Robin Hurley. The label was largely run from California for most of the decade after Ivo Watts-Russell moved to Los Angeles in the mid-90s. In November 1999 it was announced that Martin Mills had taken over as chairman and relocated its HQ to London.

Decoding their unique numbering system reveals various formats like mail-order only releases (4AD), LPs (CAD), MP3 downloads (EAD), posters (FAD), videos (VAD) and more. The numeric portion of their catalog numbers

Tune-Yards is the music project of Merrill Garbus, a talented artist hailing from Connecticut. With a career spanning since 2006, Tune-Yards has captivated audiences with their unique sound and innovative approach to music.

Garbus draws inspiration from various genres, blending elements of indie rock, pop, and experimental sounds to create a truly distinctive style. Their music has been compared to artists such as Dirty Projectors, YACHT, Grizzly Bear, and Animal Collective.

Known for their energetic live performances and thought-provoking lyrics, Tune-Yards continues to push boundaries in the music industry. If you're looking for an artist that defies conventions and delivers an unforgettable musical experience, look no further than *Tune-Yards*.

Back In Stock

Officially now a duo, Merrill Garbus is joined by long-time collaborator Nate Brenner. Their new album, I Can Feel You Creep Into My Private Life, tackles race, politics, intersectional feminism and environmental prophecies head on. But in the billows of intense subject matter, the album is their most immediate and upbeat yet – this is Tune-Yards’ music to dance to. The follow-up to 2014’s acclaimed album, Nikki Nack, much of I Can Feel You Creep Into My Private Life was recorded at John Vanderslice’s new Tiny Telephone studio in their hometown of Oakland, CA. To help finish this stunning record, they enlisted mixer Mikaelin “Blue” Bluespruce (Solange, Skepta, Kendrick Lamar) and mastered it in Harlem, NY with Dave Kutch (Jay-Z, Chance the Rapper).

LP+ - Limited Clear Vinyl with alternative cover.