Name: Come Join My Orchestra - The British Baroque Pop Sound 1967 - 73
Brand: Various

Bonus disc

Bonus disc: No

Catalogue number

CRSEGBOX049

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Colour

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2018-11-30

Signed copies

Signed copies: No

Supplier GB

Cherry Red (ADA)

Tax rate GB

Standard:20

UPC / Barcode

5013929184909

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Total Cap

3 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

Artist

Various

Genre GB

Classic

Label GB

Grapefruit

Grapefruit is a UK-based music label that specializes in psych/garage-era music from the 1966-70 timeframe. Managed by Cherry Red, Grapefruit focuses on releasing single-artist career anthologies and definitive versions of rare and classic albums. Each release features sympathetic artwork, rare photos, detailed liner notes, and high-quality sound from the original masters.

In the immediate wake of ground-breaking albums like Rubber Soul, Revolver and Pet Sounds, the British and American music scenes became increasingly ambitious and cerebral. As the major recording studios becoming ever more sophisticated, a new generation of musicians and producers sought to emulate the backroom auteur status of Brian Wilson or the symbiotic relationship between George Martin and The Beatles. A new, more melancholic strain was introduced into British pop: expansive orchestral arrangements merged with the burgeoning psychedelic mind-set to create such studio-bound masterpieces as Days Of Future Passed and (of course) Sgt Pepper, with harpsichords, oboes, flutes, recorders and French horns providing a moody, introverted chamber pop flourish. Wilson and The Left Banke led the way in the US, but Britain was also awash with acts mining the baroque pop seam. Honeybus, The Zombies, Donovan, Nirvana and many others made significant recordings in that field, fusing mournful minor chord melodies with fey vocals, ornate arrangements and what had previously been considered non-rock instrumentation.

Come Join My Orchestra covers British baroque pop’s formative years and its integration into a wide variety of genres, ranging from Johnny McEvoy’s exquisitely sculpted take on traditional pop balladry and a clutch of dyed-in-the-wool folkies (Ian Campbell, Bert Jansch etc) to McCartney acolytes (Fickle Pickle, Mike Batt, the Gerry Rafferty-led Humblebums) and symphonic / art rock bands like Procol Harum and Barclay James Harvest. With a lavish 40-page booklet, many recordings making their first appearance on CD and two tracks (by The Regime and The Mellow Yellow) gaining their first-ever release, Come Join My Orchestra is a fascinating overview of what was a major development in late Sixties pop music, and one that reverberates to this day.

Come Join My Orchestra - The British Baroque Pop Sound 1967 - 73

Music GB