Name: Stop Mute Defeat
Brand: White Hills

Bonus disc

Bonus disc: No

Catalogue number

thrill440lp

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Colour

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Pressed on virgin vinyl and packaged in a Gatefold jacket with free download coupon. 

Format Music GB

Limited edition

Release date

2017-05-19

Signed copies

Signed copies: No

Supplier GB

PIAS

Tax rate GB

Standard:20

UPC / Barcode

0790377044010

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Total Cap

1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No

thrill440cd

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Housed in 4 panel mini-LP style gatefold jacket.

0790377044027

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1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

Artist

White Hills

Genre GB

Psychedelic

Label GB

Thrill Jockey

Thrill Jockey is an American independent record label that was established in 1992 by Bettina Richards, a former A&R representative at Atlantic Records. Originally based in New York City, the label relocated to Chicago, Illinois in 1995.
With over two decades of experience, Thrill Jockey has become a prominent force in the music industry. Known for its diverse roster of artists and commitment to artistic integrity, the label has consistently released groundbreaking and innovative music across various genres.
Thrill Jockey's catalog includes a wide range of critically acclaimed albums from both established and emerging artists. From experimental rock to electronic music, jazz to folk, the label continues to push boundaries and support unique voices within the industry.

New York’s critically acclaimed WHITE HILLS has garnered a reputation as one of the most prolific bands of their generation. They have composed numerous studio albums, EPs, singles, tour only releases and collaborations since their inception. Blending genres and styles, WHITE HILLS has been described as Krautrock, Industrial, Psychedelic, Goth, Post-Punk, Ambient and more. The band describes themselves as Motorik Fuzz Art-Rock. Comprised of core members Ego Sensation and Dave W., WHITE HILLS has toured extensively throughout Europe and North America and appears in Jim Jarmusch’s film Only Lovers Left Alive.

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<ul>
<li>The Heads</li>
<li>Assemble Head In Sunburst Sound</li>
<li>Pharaoh Overlord</li>
<li>Causa Sui</li>
<li>The Myrrors</li>
<li>Mugstar</li>
<li>35007</li>
<li>Wooden Shjips</li>
<li>Eternal Tapestry</li>
<li>Dead Meadow</li>
<li>Farflung </li>
<li>Gnod </li>
<li>Earthless </li>
<li>Bardo Pond </li>
 <l1>&#216;resund Space Collective </l1>
<l1 >My Brother The Wind </l

The dismal realities, political or otherwise, that are part of our modern world naturally influence our creative voices. It is in this context that White Hills re-evaluated their approach to creating a new album. Having continually refined their sound, pushing the boundaries of psychedelic music, White Hills flipped the script on Stop Mute Defeat. Dave W. and Ego Sensation have brazenly produced an industrially-charged record that pulsates unlike anything they’ve released before. Hard-line, gritty, and intellectually engaged, Stop Mute Defeat is a New York record through and through. With this in mind, White Hills drafted Martin Bisi (Sonic Youth, Brian Eno, Afrika Bambaataa) to mix. White Hills recorded with Bisi on two of their previous releases, Frying On This Rock in 2012 and its follow-up So You Are…So You’ll Be, however Stop Mute Defeat is the first time they worked with Martin “The Beast” Bisi in control of the mixing board. A native New Yorker who made his name in the city’s early hip-hop and no-wave scenes, Bisi was attracted to White Hills’ new material for its distinct early-80s Mudd Club feel. A dance hall, drug den, and bar, the Mudd Club was one of New York’s legendary haunts in the late 1970’s. As a center of a distinct art scene the club served as a major influence for White Hills and Stop Mute Defeat’s sound. Following similar techniques to those propagated by William S. Burroughs (a regular at Mudd Club), Stop Mute Defeat sees White Hills break free from the guitar-driven structure of their earlier releases. Reassigning William Burroughs’ word “cut-up” technique to music, Dave W. and Ego Sensation deconstruct sound clips to create minimalist but rhythmically complex phrases. Title track Stop Mute Defeat layers turbocharged bass loops with squalling guitar samples, to create a sound that calls to mind Xtrmntr-era Primal Scream. “If… 1… 2” goes even further down the rabbit hole, oscillating into the experimental electro-sound of early 80s Sheffield, UK band Cabaret Voltaire. Meanwhile the taut brawny grind of ‘Attack Mode’ industrially hardens White Hills’ rock boundaries to tribal densities. Appalled by the rampant consumerism and the proliferation of ‘post-truth’ mythology, White Hills’ defiant lyricism is at their most philosophically scathing. Condemning doublespeak as “Subliminal seduction…a serenade with a grenade,” the song Overlord laments political and economic opportunism, where “In travesty, [there’s always] another dollar to be made.” On Attack Mode meanwhile, a clenched-jawed Dave W. channels the perverse cynicism of Throbbing Gristle, throwing scorn on “societies where misogyny leads and the objectification of young girls runs free.” Exposing Western vulgarity in bright light, Stop Mute Defeat is a fearless and necessary denunciation of the political and economic powers that be. Between the release of 2015’s Walks For Motorists and the making of Stop Mute Defeat, members Dave W. and Ego Sensation took time out to focus on other artistic endeavors instead of keeping up their pace of an album a year. Diving deeper into the world of video, Ego has produced and exhibited a series of Moving Stills: videos that imbue static images with a subtle, uncanny motion. In these pieces, realism morphs with itself to create abstract visions. Through Dave W’s obsession with meditation, he was drawn back to his love of form and image, creating a series of sculpturally based hallucinatory abstract paintings in which the viewer is sucked into infinite space. These forays outside of music were instrumental in the shaping of Stop Mute Defeat. Writing in his seminal postmodern oeuvre Naked Lunch, Burroughs states: “Desperation is the raw material of drastic change. Only those who can leave behind everything they have ever believed in can hope to escape.” Rethinking their musical norms, personally and musically diving into uncertain waters, White Hills at once embrace and demonstrate the raw power of such abandon.

CD - Housed in 4 panel mini-LP style Gatefold jacket.

LP - Pressed on virgin vinyl and packaged in a Gatefold jacket with free download coupon. 

Stop Mute Defeat

Music GB