Name: Environmental Studies
Brand: African Head Charge

Bonus disc

Bonus disc: No

Catalogue number

LP-ONU-19

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Colour

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

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Format Music US

Limited edition

Release date

2016-01-22

Signed copies

Signed copies: No

Supplier US

Redeye

Tax rate US

Sales:8.875

UPC / Barcode

5060263721475

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Total Cap

1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No

Artist

African Head Charge

Genre US

Label US

On-U Sound

Experimental/tribal percussion act with a heavy dub and 'world' music slant led by percussionist Bonjo Iyabinghi Noah. African Head Charge has been active since forming in 1981, with various members throughout the years. Initially, the band served as a platform for Adrian Sherwood's experimental side on the On-U Sound label. However, as time went on, Bonjo's role became more prominent, eventually becoming vocalist and main multi-percussion instrumentalist. They have released several albums and continue to perform live shows worldwide.
African Head Charge's early music was primarily written by Adrian Sherwood but evolved over time to include contributions from other writers such as Skip McDonald of Tackhead. Despite these changes, Bonjo remained a constant feature in the band.
With an ever-changing lineup, African Head Charge remains active to this day and continues to captivate audiences around the world with their unique blend of experimental sounds and tribal rhythms.

New Wave / Post Punk

Second album from 1982 that saw African Head Charge working manipulated and vari-speeded 1/4 inch tape loops that were re-recorded back to the multi-track, soaked in reverb and delay, and then applied to the performances of the musicians, not to mention extensive use of found sounds and field recordings, hence the title. The brainchild of Adrian Sherwood and percussionist Bonjo Iyabinghi Noah, the group forged their own undefinable sound on these early albums which sound eerily contemporary, pre-dating the experimental bass music of labels such as Hyperdub and Tectonic. Features contributions from Bruce Smith (The Pop Group), Style Scott (Roots Radics) and Deadly Headley (The Wailers). Re-cut at dubplates &amp; mastering in Berlin for maximum bass pressure. Includes printed inner with sleevenotes by Steve Barker (On The Wire), and download card for full album.

Environmental Studies

Music US