Name: Chris Cohen
Brand: Chris Cohen

Bonus disc

Bonus disc: No

Catalogue number

CT295cd

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Colour

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music US

Limited edition

Release date

2019-03-29

Signed copies

Signed copies: No

Supplier US

Secre­tly

Tax rate US

Sales:8.875

UPC / Barcode

817949016685

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Total Cap

1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

Artist

Chris Cohen

Genre US

Rock-Pop

Label US

Captured Tracks

Chris Cohen is an American multi-instrumentalist, singer-songwriter and producer. Born in Los Angeles, California in 1975, he comes from a musical background with his father being former music business executive Kip Cohen and his mother being former Broadway actress Lynn Cohen (known professionally as Lynn Carlisle).

With his diverse talents, Chris Cohen has carved out a unique place in the music industry. Drawing inspiration from various genres including folk, indie rock, and psychedelic pop, he creates captivating melodies that are both introspective and infectious.

His music has been compared to artists such as Jessica Pratt, White Fence, Here We Go Magic, Ducktails, Ultimate Painting, Foxygen and many more. With each release, Chris Cohen continues to push boundaries and captivate audiences with his distinct sound.

Chris Cohen is the third solo album by multi-instrumentalist Chris Cohen (formerly of Deerhoof). Available here on coke bottle clear vinyl, standard black vinyl, and standard CD. Both vinyl versions include MP3 downloads.

Chris Cohen’s songs initially sound easy. They’re tiny jewels that unfurl at a leisurely pace, but dig a little deeper and you’ll reach a melancholy core. His previous two albums — 2012’s Overgrown Path, and 2016’s As If Apart — were built from lush, blurry tracks that embedded themselves in your sub- conscious, like they’d always been there. Chris Cohen, his third solo album, was written and recorded in his Lincoln Heights studio and at Tropico Beau- ties in Glendale, California over the course of the last two years. With the help of Katy Davidson (Dear Nora), Luke Csehak (Happy Jawbone Family Band), Zach Phillips, and saxophonist Kasey Knudsen, among others, it is his most straightforward album yet, but it is also the conclusion of an unofficial cycle that began with Overgrown Path.

“My parents got divorced while I was making this record,” he says. “They were married for 53 years and my father spent most of his life in the closet, hiding both his sexual identity and various drug addictions. For me it was like being relieved of a great burden, like my life could finally begin.” It is this sense of truth and freedom that is woven into the very fabric of the record even as it grapples with complicated emotions. A core truth of the record is what at first seems like a simple idea: “I hoped that by writing about what was closest to me at the time, I might share something of myself and where I came from,” Cohen says. 

Though the album is undeniably part of the framework that made up his previous two records — Chris Cohen is also a thoughtful, accomplished meditation on life and family, backed by dusky instrumentation influenced by the late evening beauty of Pat Metheny’s Falcon and the Snowman soundtrack, and Thomas Dolby’s Golden Age of Wireless. It’s beautiful, but it’s also unflinching in its depiction of emotional turmoil.

On “Edit Out,” written in the wake of his parents’ divorce, Cohen examines his relationship with his father through devastatingly straightforward lyrics: “We were loved from afar / Everyone kept in the dark.” Though it’s a gorgeous song, the emotional weight is immense. A line like “people want a lot” carries a substantial amount of power, even if the initial intention of the lyric is not immediately clear.

But Chris Cohen is not a confessional record in the traditional sense. Instead of picking at open wounds, the album looks forward by embracing the past. Cohen’s father worked in the music industry, which exposed him as a child to not just the practical realities of a career in music — from a young age he saw plenty of recording studios and heard stories about musicians from his parents — but the more creative as well. “I had the sense that music was important and was something I could do,” he says.

On album opener, “Song They Play,” Cohen revisits his childhood, and his attempts to get his father’s attention. “I was mostly shielded from what was going on,” he says. “but had occasional glimpses into my parents’ complex world. When I sing these songs, I think it’s my way of communicating what I am unable to communicate in real life.”

None of these songs are abrasive or even aggressive. The soft drum fills on “Song They Play” comfort, and the guitar virtually glitters. Chris Cohen is a beautiful album about pain and loss but it’s also about accepting loss. Of the song “Green Eyes,” Cohen says “[It’s about] the men in my family and how they passed their worldview along to each other from great emotional distances. My father and grandfather were full of secrets and longing, which were communicated through everyday actions like driving a car or cooking a meal. We all wanted closeness, but never found it in each other.” This is a statement about a specific song, but it is also a statement about the album as a whole: Chris Cohen is not so much autobiographical as it is multi-generational.

LP+ - Coke bottle clear vinyl. Includes MP3 download.

LP - Standard black vinyl. Includes MP3 download.