Name: We Have The Facts And We're Voting Yes
Brand: Death Cab For Cutie

Bonus disc

Bonus disc: No

Catalogue number

LP-BARK-011

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Colour

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

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Format Music US

Limited edition

Release date

2014-11-18

Signed copies

Signed copies: No

Supplier US

Redeye

Tax rate US

Sales:8.875

UPC / Barcode

655173101117

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Total Cap

1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No

Artist

Death Cab For Cutie

Genre US

Rock-Pop

Label US

Barsuk

<p>Death Cab For Cutie is an American indie rock band that was formed in Bellingham, Washington in 1997. With their unique sound and heartfelt lyrics, they have become a staple in the music industry. Known for their introspective and melodic songs, Death Cab For Cutie has captivated audiences worldwide. Their discography includes numerous critically acclaimed albums such as "Transatlanticism" and "Plans". Whether you're a long-time fan or new to their music, Death Cab For Cutie's emotional and captivating sound is sure to leave a lasting impression.</p>

A fourth of Death Cab for Cutie's output (like on "Title Track" and "Little Fury Bugs"). Heck, they're not even remotely quiet for half of We Have the Facts and We're Voting Yes — the best and brightest LP of their three fine albums to date. Ben Gibbard has turned into a sublime composer, using melodies sparingly but with splendid tunefulness, as all four players marinate his writing with delicately plucked, picked, and pulled arpeggios, ringing chords, and non-obvious atmosphere building. Verily, the slow, broody stuff is but a change of pace; it's when the volume doubles (if only occasionally crashes), when the band shows potency, that We Have the Facts starts flying, soaring with exigency beyond even the threatening storm clouds from the last flight plan, 1998's Something About Airplanes. "Lowell, MA" and "Company Calls" are perfect examples: drummer Nathan Good actually gets to punish his snare and toms, the other three dig in with him, and the words "indie pop" suddenly sounds fresh and alive, with real aggressive, post-dream pop guitar popscapes. Loud and soft, or most of all both, and plenty of points in between, DCFC write and record finished songs that emote, that do more than merely fill a slot in a form in a preconceived genre. In short, they're superb. And getting greater.

We Have The Facts And We're Voting Yes

Music US