Name: The Disco's Of Imhotep
Brand: Hieroglyphic Being

Bonus disc

Bonus disc: No

Catalogue number

LP-TCLR-015

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Colour

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

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Format Music US

Limited edition

Release date

2016-08-05

Signed copies

Signed copies: No

Supplier US

Redeye

Tax rate US

Sales:8.875

UPC / Barcode

5054429004977

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Total Cap

1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No

CD-TCLR-015

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{"blocks": [{"data": {"text": "CD"}, "type": "paragraph"}]}

5054429004984

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1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

Artist

Hieroglyphic Being

Genre US

House

Label US

Technicolour

Hieroglyphic Being is an American experimental electronic music artist hailing from Chicago, Illinois. With a unique sound that blends elements of house, techno, and avant-garde experimentation, Hieroglyphic Being has become known for his boundary-pushing approach to music production.

Influenced by artists such as Terrence Dixon, Theo Parrish, and Drexciya, Hieroglyphic Being's music transports listeners to otherworldly realms with its hypnotic rhythms and intricate sonic textures. His tracks are characterized by their raw energy and unconventional structures, creating a truly immersive listening experience.

Having collaborated with notable figures in the electronic music scene like Jamal Moss and Legowelt, Hieroglyphic Being has gained recognition for his innovative contributions to the genre. Whether performing live or producing in the studio, he continues to push the boundaries of electronic music and challenge traditional notions of what it means to create art.

"With no disservice to his previous catalogue, this album is evidently Jamal Moss' most spaciously layered, heavily driven and lushly romantic under the Hieroglyphic Being alias, or any other for that matter: a physically-affective and mind-bending display of what he neatly terms Synth Expressionism or Rhythmic Cubism; taking the examples of his more recent collaborations with the Arkestra's Marshall Allen in J.I.T.U. Ahn-Sahm-Buhl or with Noleian Reusse as Africans With Mainframes into boldly singular new dimensions. In other words, it works on a lot of levels, and is perhaps his most successful consolidation of jazz, techno, avant-garde electronics and that unquantifiable "other" in his entire catalogue, quite clearly so in the majestic pinnacle of the title track, or the subterranean ritual of lysergic flash and bang in Sepulchral Offerings and his uncompromisingly psychedelic slammer, Nubian Energy."

The Disco's Of Imhotep

Music US