Name: Music For Nine Postcards
Brand: Hiroshi Yoshimura

Bonus disc

Bonus disc: No

Catalogue number

EOS01CD

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Colour

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Limited Edition

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Format Music US

Limited edition

Release date

2017-09-29

Signed copies

Signed copies: No

Supplier US

Light in the Attic

Tax rate US

Sales:8.875

UPC / Barcode

826853444422

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Total Cap

1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

Artist

Hiroshi Yoshimura

Genre US

Asian

Label US

Empire of Signs

Hiroshi Yoshimura (Japanese: 吉村弘; 22 October 1940 – 23 October 2003) was a Japanese musician and composer. He is considered a pioneer of ambient music in Japan.

After graduating from Waseda University, Hiroshi became a faculty member there. In 1972, he formed the computer music group "Anonyme". Alongside his solo performances and improvisational music, he also created music for galleries, museums, building spaces, and train stations. His innovative approach to environmental music placed him at the forefront of this genre.

Hiroshi Yoshimura passed away on October 23rd, 2003 at the age of 63.

Despite his status as a key figure in the history of Japanese ambient music, Hiroshi Yoshimura remains tragically under-known outside of his home country. Empire of Signs – a new imprint co-helmed by Maxwell August Croy and Spencer Doran – is proud to reissue Yoshimura’s debut Music for Nine Post Cards for the first time outside Japan in collaboration with Hiroshi’s widow Yoko Yoshimura, with more reissues of Hiroshi’s works to follow in the future. Working initially as a conceptual artist, the musical side of Yoshimura’s artistic practice came to prominence in the post-Fluxus scene of late 1970s Tokyo alongside Akio Suzuki and Takehisa Kosugi, taking many subsequent turns within Japan’s bubble economy afterward. His sound works took on many forms – commissioned fashion runway scores, soundtracking perfume, soundscapes for pre-fab houses, train station sound design – all existing not as side work but as logical extensions of his philosophy of sound. His work strived for serenity as an ideal, and this approach can be felt strongly on Music for Nine Post Cards.

Home recorded on a minimal setup of keyboard and Fender Rhodes, Music for Nine Post Cards was Yoshimura’s first concrete collection of music, initially a demo recording given to the Hara Museum of Contemporary Art to be played within the building’s architecture. This was not background music in the prior Japanese “BGM” sense of the word, but “environmental music”, the literal translation of the Japanese term kankyō ongaku [環境音楽] given to Brian Eno’s “ambient” music when it arrived in late 70’s Japan. Yoshimura, along with his musical co-traveler Satoshi Ashikawa, searched for a new dialog between sound and space: music not as an external absolute, but as something that interlocks with a physical environment and shifts the listener’s experience within it. Erik Satie’s furniture music, R. Murray Schafer’s concept of the soundscape and Eno’s ambience all greatly informed their work, but the specific form of tranquil stasis presented on releases like Nine Post Cards is still difficult to place within a specific tradition, remaining elusive and idiosyncratic despite the economy of its construction. This record offers the perfect introduction to Hiroshi’s unique and beautiful worldview: it’s one that can be listened to – and lived in – endlessly.

Music For Nine Postcards

Music US