Album artwork for Archive Series Volume No. 5: Tallahassee Recordings by Iron and Wine

Archive Series Volume No. 5: Tallahassee is the lost-in-time debut album from Iron and Wine. A
collection of songs recorded three years prior to his official Sub Pop debut, The Creek Drank the
Cradle
(2002). A period before the concept of Iron and Wine existed and principal songwriter Sam
Beam was studying at Florida State University with the intent of pursuing a career in film.
Tallahassee documents the very first steps on a journey that would lead to a career as one of
America’s most original and distinctive singer-songwriters. Creek arrived like a thief in the night
with its lo-fi, hushed vocals and intimate nature, while almost inversely Tallahassee comes with a
strange sense of confidence. Perhaps an almost youthful discretion that likely comes from being
too young to know better and too naïve to give a shit. The recordings themselves are more
polished than Creek and give a peak into what a studio version of that record might have offered
up. Tallahassee was recorded over the course of 1998-1999 when Beam and future bandmate EJ
Holowicki moved into a house together. Beam had not been performing publicly, however he was
known for playing an original song or two in the early morning glow of a long night. Holowicki also
in the film program and who would go onto a career as a sound designer at Skywalker Sound, had
a mobile recording device and after some prodding convinced his friend to record these late-night
meditations. Together they would record close to twenty-four songs, ideas and sketches, with EJ
on bass and Sam on vocals, guitar, harmonica and drums.

The recordings – all captured in the house where they lived – have a “live in the room” feel akin to say Neil Young’s Harvest or Nick Drake’s Five Leaves Left, rather than the homespun lo-fi 4-track home recording experiment taking place at the time. These recordings, minus one track, have never been made available and were instead left preserved on a hard drive for the last twenty years. The one track that floated out there, called “In Your Own Time” was shared without a title to childhood friend Ben Bridwell(Band of Horses) at some point. The song became known as the “Fuck Like A Dog” song and Ben shared it with more than a few folks during the golden era of mix cd’s. Two of those folks were
Jonathan Poneman from Sub Pop and journalist Mike McGonigal, who included it on his best
songs of 2001 mix cd, passed out to friends and acquaintances. And for many that is where the
Iron and Wine story begins, until now…Tallahassee is the foreword to your favorite book that you’ve
somehow skipped over time and time again. It’s an alternative history mixed with some revisionist
history told over the course of eleven songs. It’s also the debut record by Iron and Wine some
twenty years after the fact.

Iron and Wine

Archive Series Volume No. 5: Tallahassee Recordings

Sub Pop
Album artwork for Archive Series Volume No. 5: Tallahassee Recordings by Iron and Wine
LP +

$29.99

Loser Edition

Yellow Splatter Vinyl

Released 05/07/2021Catalog Number

SP1404X

Learn more
Album artwork for Archive Series Volume No. 5: Tallahassee Recordings by Iron and Wine
LP

$21.99

Black
Released 05/07/2021Catalog Number

SP1404

Learn more
Album artwork for Archive Series Volume No. 5: Tallahassee Recordings by Iron and Wine
CD

$10.99

Released 05/07/2021Catalog Number

SPCD1404

Learn more
Iron and Wine

Archive Series Volume No. 5: Tallahassee Recordings

Sub Pop
Album artwork for Archive Series Volume No. 5: Tallahassee Recordings by Iron and Wine
LP +

$29.99

Loser Edition

Yellow Splatter Vinyl

Released 05/07/2021Catalog Number

SP1404X

Learn more
Album artwork for Archive Series Volume No. 5: Tallahassee Recordings by Iron and Wine
LP

$21.99

Black
Released 05/07/2021Catalog Number

SP1404

Learn more
Album artwork for Archive Series Volume No. 5: Tallahassee Recordings by Iron and Wine
CD

$10.99

Released 05/07/2021Catalog Number

SPCD1404

Learn more

Archive Series Volume No. 5: Tallahassee is the lost-in-time debut album from Iron and Wine. A
collection of songs recorded three years prior to his official Sub Pop debut, The Creek Drank the
Cradle
(2002). A period before the concept of Iron and Wine existed and principal songwriter Sam
Beam was studying at Florida State University with the intent of pursuing a career in film.
Tallahassee documents the very first steps on a journey that would lead to a career as one of
America’s most original and distinctive singer-songwriters. Creek arrived like a thief in the night
with its lo-fi, hushed vocals and intimate nature, while almost inversely Tallahassee comes with a
strange sense of confidence. Perhaps an almost youthful discretion that likely comes from being
too young to know better and too naïve to give a shit. The recordings themselves are more
polished than Creek and give a peak into what a studio version of that record might have offered
up. Tallahassee was recorded over the course of 1998-1999 when Beam and future bandmate EJ
Holowicki moved into a house together. Beam had not been performing publicly, however he was
known for playing an original song or two in the early morning glow of a long night. Holowicki also
in the film program and who would go onto a career as a sound designer at Skywalker Sound, had
a mobile recording device and after some prodding convinced his friend to record these late-night
meditations. Together they would record close to twenty-four songs, ideas and sketches, with EJ
on bass and Sam on vocals, guitar, harmonica and drums.

The recordings – all captured in the house where they lived – have a “live in the room” feel akin to say Neil Young’s Harvest or Nick Drake’s Five Leaves Left, rather than the homespun lo-fi 4-track home recording experiment taking place at the time. These recordings, minus one track, have never been made available and were instead left preserved on a hard drive for the last twenty years. The one track that floated out there, called “In Your Own Time” was shared without a title to childhood friend Ben Bridwell(Band of Horses) at some point. The song became known as the “Fuck Like A Dog” song and Ben shared it with more than a few folks during the golden era of mix cd’s. Two of those folks were
Jonathan Poneman from Sub Pop and journalist Mike McGonigal, who included it on his best
songs of 2001 mix cd, passed out to friends and acquaintances. And for many that is where the
Iron and Wine story begins, until now…Tallahassee is the foreword to your favorite book that you’ve
somehow skipped over time and time again. It’s an alternative history mixed with some revisionist
history told over the course of eleven songs. It’s also the debut record by Iron and Wine some
twenty years after the fact.