Few consider electronic music a live form, but here Moufang and Czamanski take that idea head-on and challenge it. The two producers are patient for the duration of the A-side, slowly building from an innocuous cymbal tap, finding their footing and bubbling up to a steady beat with squelching 303 lines whipping around the stereo field. From there, the tone gets foggy, though decidedly influenced by the sound of "Detroit" (i.e. futuristic and assembly-line-oriented), with jazz chords jammed on warm keys that sporadically cascade over percolating, unraveling synth patterns, all anchored to a brisk, inspiring tempo.
Few consider electronic music a live form, but here Moufang and Czamanski take that idea head-on and challenge it. The two producers are patient for the duration of the A-side, slowly building from an innocuous cymbal tap, finding their footing and bubbling up to a steady beat with squelching 303 lines whipping around the stereo field. From there, the tone gets foggy, though decidedly influenced by the sound of "Detroit" (i.e. futuristic and assembly-line-oriented), with jazz chords jammed on warm keys that sporadically cascade over percolating, unraveling synth patterns, all anchored to a brisk, inspiring tempo.