Name: Selbstportrait
Brand: Roedelius

Bonus disc

Bonus disc: No

Catalogue number

BB 063LP

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Colour

Black

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

180-gram vinyl

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Format Music US

Limited edition

Release date

2021-10-08

Signed copies

Signed copies: No

Supplier US

Forced Exposure

Tax rate US

Sales:8.875

UPC / Barcode

4047179527019

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Total Cap

1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No / black

Artist

Roedelius

Genre US

Krautrock

Label US

Bureau B

A pioneer in the field of electronic music, Hans-Joachim Roedelius is considered one of the founders of contemporary popular electronic music. Born on October 26th, 1934, in Friedenau / Berlin, he has lived in Baden, south of Vienna since 1978 where he began his career as a professional composer/musician/writer in the late sixties. He has appeared on well over 100 releases between his own work and collaborations with various composers and musicians including Brian Eno, Holger Czukay, Michael Rother, and many others.

Roedelius was a founding member of several experimental groups and projects such as "Geräusche," "Plus/minus," "Per Sonare," "Kluster," "Cluster," "Harmonia," and more. In 2011, he formed a new variant of Cluster called Qluster alongside Onnen Bock after breaking off formal ties with Dieter Moebius. Throughout his career, Roedelius has also collaborated with choreographers for various festivals including the Wiener Festwochen and Donaufestival.

Influenced by artists like Cluster, Harmonia, and Ashra, Roedelius' unique sound experiments have

This is the third solo album by German keyboardist Hans-Joachim Roedelius, originally released in 1979 on Sky Records. Alongside his ongoing work with Cluster and Harmonia, Roedelius amassed an almost incalculable number of musical notations during his time in the idyllic Weser Uplands. Fleeting sketches, spontaneous improvisations, implied miniatures, rough compositions -- Roedelius recorded virtually every idea he came up with outside the studio sessions on his Revox A77 reel to reel; with the basic intention of capturing his moments of inspiration, he simply let the tape run as he played around on the Farfisa organ. Sound quality was not his prime concern, as he was not as yet entertaining any notion of releasing the results. As Roedelius recalls, costly tape spools were at a premium, so he recorded over older tapes in mono, at a less than ideal speed. Substandard, technically speaking (or listening), but as a self portrait, nothing short of a masterpiece. It would be inappropriate to measure this album by the hi-fidelity yardstick; see it as something closer to an intimate confession, an unguarded communiqué from one person to another. Bordering on naivety and free of conceit, Roedelius introduces us to his world through these chiffonesque études. There may be little variation in the Farfisa sound, but this is soon forgotten when Roedelius invites us to listen, to enter the experience. No expensive technology, no producer, no collaborators. This is unfiltered personality, the real Roedelius. Musically, Selbstportrait is characterized by a combination of ländler, minimalism and harmonic simplicity. The Weser Uplands, where Roedelius recorded his music, are certainly no Arcadia and the village of Forst is anything but Atlantis, but perhaps it could become the Graceland of German electronic music. Printed innersleeve with original liner notes and new notes by Asmus Tietchens.

Selbstportrait

Music US