Grits, Beans and Greens: The Lost Fontana Studio Sessions 1969
Following the discovery of some long-rumored studio master tapes, Decca Records releases a never-before-issued 1969 album by leading British jazz artist Tubby Hayes entitled Grits, Beans And Greens: The Lost Fontana Studio Sessions 1969. Many jazz fans around the world will be very excited to hear these perfectly-preserved tapes for the first time, discovered in pristine condition and untouched since they were first spooled in the Fontana/Philips Studios, London, back in 1969.
By the time of the Grits, Beans and Greens sessions, the London-born Edward ‘Tubby’ Hayes had been a significant name in jazz for many years. He toured and recorded with his own big band, had his own television series and amassed a vast canon of albums from 1955 onwards. He also worked with such American titans as Quincy Jones, Ella Fitzgerald, Charles Mingus and Duke Ellington, and was admired by Miles Davis, Cannonball Adderley and Sonny Rollins.
At the time of the 1969 sessions, Hayes was also working on a more commercial project called The Orchestra, in which he aimed for the pop and easy listening market with covers of The Beatles, Burt Bacharach and Nancy Sinatra. The album fared relatively poorly, and with his health faltering, the saxophonist ceased recording. He died after open heart surgery at just 38, in 1973, and the Grits, Beans and Greens tapes were filed away and later mislaid.
Their rediscovery came about when the late jazz writer and Polygram catalogue manager Richard Cook saw entries in Hayes’ diary that detailed a number of recording sessions. Cook trawled through the Polygram archives and, in one of the great “finds” in jazz history, unearthed the 1969 tapes. Cook then left the company and it was only in 2018 that awareness of their existence resurfaced.
Decca/Universal then employed the high-end vinyl specialists Gearbox Studios to master the sessions for the first time. A 180-gram vinyl edition was created using an original 1960s-era Studer C37 tape machine and a Scully Lathe, the same model that was used by jazz record engineering luminary Rudy Van Gelder.
The sessions will be released digitally, as a single vinyl LP and single CD (as the album that never was) and as a two-CD deluxe edition featuring 18 tracks, in date and master tape running order. That configuration includes studio chatter, alternative takes and false starts.