Name: Undertow
Brand: Wolf Eyes

Bonus disc

Bonus disc: No

Catalogue number

LP-LFM-001

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Colour

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

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Format Music US

Limited edition

Release date

2017-03-24

Signed copies

Signed copies: No

Supplier US

Redeye

Tax rate US

Sales:8.875

UPC / Barcode

5060384611815

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Total Cap

1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No

CD-LFM-001

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5060384611822

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1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

Artist

Wolf Eyes

Genre US

Experimental / Avant-Garde / Industrial / Noise

Label US

Lower Floor Music

Wolf Eyes is an American experimental music group hailing from Detroit, Michigan. Founded in 1996 by Nate Young, the band has been pushing boundaries and challenging conventions ever since. With their unique blend of noise, industrial, and electronic elements, Wolf Eyes has carved out a distinct sound that sets them apart from their peers.

Influenced by a wide range of artists including Yellow Swans, Shit And Shine, Black Dice, and Merzbow among others, Wolf Eyes' music is characterized by its raw intensity and chaotic energy. Their live performances are known for being immersive experiences that leave audiences captivated and transformed.

Over the years, Wolf Eyes has released numerous albums and collaborated with various musicians to further expand their sonic palette. From collaborations with Aaron Dilloway to Kevin Drumm and Nurse With Wound, they have consistently pushed the boundaries of what experimental music can be.

"This is a real ugly bastard of an album, with Nate Young, James Baljo and John Olson intent on shredding minds from the off, adopting a free jazz approach to mangling discordant guitar beyond all recognition on Laughing Tides. From there, Empty Islands sounds like the heroic Pod Blotz attacking the classic shred metal sound of America and Texas spangles further, deeper into abstracted, wailing noise. The metallic textures and Lou Reed-esque vocal mutterings of the title track are set to an irradiating metronome, setting you up for the near-fourteen-minute finale Thirteen which is Wolf Eyes at their absorbing, decimating best."

Undertow

Music US