Name: Live At The Harlem Square Club, 1963
Brand: Colin Fleming

Bonus disc

Bonus disc: No

Catalogue number

9781501355547

{"blocks": [{"data": {"text": "9781501355547"}, "type": "paragraph"}]}

Colour

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format Books GB

Paperback

Format detail

Limited edition

Release date

2021-09-09

Signed copies

Signed copies: No

Supplier GB

Bloomsbury

Tax rate GB

Zero:0

UPC / Barcode

1 / Extended format: No / Paperback / Rough Trade Exclusive: No / Signed copies: No

Artist

Colin Fleming

Genre GB

Music

Label GB

<p>Colin Fleming is a talented drummer and audio engineer. With his exceptional skills, he has made a name for himself in the music industry. Currently, Colin works at Q Division Studios, where he brings his expertise to create amazing soundscapes. Whether it's laying down beats or perfecting the mix, Colin's passion for music shines through in every project he undertakes.</p>

Shelved for over 20 years, Sam Cooke’s Live at the Harlem Square Club, 1963, stands alongside Otis Redding’s Live in Europe and James Brown’s Live at the Apollo as one of the finest live soul albums ever made. It also reveals a musical, spiritual, emotional, and social journey played out over one night on the stage of a sweaty Miami club, as Cooke made music that encapsulated everything he had ever cut, channeling forces that would soon birth “A Change is Gonna Come,” the most important soul song ever written.

This book covers Cooke’s days with the Soul Stirrers, the gospel unit that was inventing a strand of soul in the 1950s, and continues on to his string of hit singles as a solo artist that reveal far more about this complex man and the complex music he was always fashioning. A writer and an agent of social change, he absorbed the teachings of Billie Holiday and Bob Dylan while reconciling his own identity and what fans expected of him. Fleming explores how this towering soul artist came to reconcile so many disparate elements on a Florida stage on a winter night in 1963―a stage that extended well into the future, beyond Cooke’s own life, beyond the 1960s, and into a perpetual here-and-now. Live at the Harlem Square Club, 1963 will resonate so long as we all have need to look into ourselves and square our differences and become more human, and more connected with others in our humanity.

Live At The Harlem Square Club, 1963

Books GB