Name: Slow Motion
Brand: Conrad Schnitzler

Bonus disc

Bonus disc: No

Catalogue number

BB452

Colour

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2024-05-10

Signed copies

Signed copies: No

Supplier GB

Shellshock

Tax rate GB

Standard:20

UPC / Barcode

4015698849639

Total Cap

9999

BB452LP

Black

4015698843064

Black LP

Artist

Conrad Schnitzler

Genre GB

Krautrock

Label GB

Bureau B

Bureau B is an independent record label, music publisher, and booking agency based in Hamburg, Germany. Founded in 2005 by Gunther Buskies as a sister label to Tapete Records, Bureau B specializes in releasing a diverse range of electronic and avant-garde music. With a focus on reissues and new productions, the label has built an extensive catalogue that includes iconic albums from the Krautrock genre of the 1970s and early 1980s. They also release recordings by influential artists such as Die Wilde Jagd, Kreidler, Toulouse Low Trax, and more.

Known for their commitment to preserving classic electronic music, Bureau B has been rereleasing albums from renowned artists like Cluster, Faust, Moebius, Roedelius, Plank, Schickert Schnitzler Tietchens Tyndall. In addition to these reissues, they also release works by similar artists including Blenner Heldon Pinhas Rev or NDW Plan Pyrolator.

With their impressive catalogue and dedication to promoting innovative music across various genres within the electronic spectrum - from pop to avant-garde - Bureau B continues to be a prominent force in the global music industry. Their contributions have solidified them as an authoritative figure in the world of independent labels.

Conrad Schnitzler (17 March 1937 - 4 August 2011) was a pioneering figure in the German electronic music scene for three decades. He studied under Joseph Beuys in the mid-1960s and later joined Tangerine Dream, contributing a unique conceptual approach that helped propel the band to legendary status. After leaving Tangerine Dream, Schnitzler formed Kluster with his friends Moebius and Roedelius, releasing three albums before embarking on his solo career. Over the years, he released numerous albums and recordings on various labels worldwide. Sadly, Schnitzler passed away from stomach cancer in 2011, leaving behind an impressive body of work.
Schnitzler's influence on electronic music cannot be overstated. His experimental style and avant-garde compositions pushed boundaries and challenged conventional norms within the genre. From his early collaborations with Tangerine Dream to his prolific solo career, Schnitzler consistently demonstrated an unwavering commitment to innovation and artistic exploration.
Despite facing health challenges towards the end of his life, Schnitzler remained dedicated to creating music until the very end. Just four days before his passing, he completed his final work—a testament to his passion and enduring legacy as one of electronic music's true pioneers.

Newest Listed Items

The 1960s weren’t just about The Beatles, the Rolling Stones and hippies, they also ushered in new forms of art: happenings, Fluxus, Neo-Dada, video art, to name just a few. As borders blurred, pop influenced art and art influenced pop. Many protagonists of the time chose to ignore borders altogether. This chaotic, euphoric atmosphere of extreme innovation lasted well into the 1970s and continues to resonate today. All manner of trailblazers shaped the soundscape of the era. Conrad Schnitzler (born 1937) and Karl Horst Hödicke (born 1938) – longstanding members of the official artistic canon – were multifunctional artists who painted, performed, sculptured, made films and music. They were always to be found on the edge of the “permissible” and invariably went beyond “modern” perceptions of art. Schnitzler, Hödicke and many of their contemporaries arrived at a completely new definition of the avant-garde. The circumstances of Schnitzler and Hödicke’s first meeting are unknown, but it should come as no surprise that it was Schnitzler who composed the soundtrack for Hödicke’s film entitled “Slow Motion” in 1976. The two artists were cut from the same cloth, routinely crossing any boundaries they happened to encounter. 

Schnitzler wrote music for each of the film’s 14 sequences, linking them together in a logical progression of minimalist imagery. Each piece of music quite brilliantly accentuated the preceding one. Schnitzler’s musical sensibility was wholly compatible with Hödicke’s approach to film. Not that Schnitzler was ever a film composer. “Slow Motion” worked because Schnitzler and Hödicke were on the same wavelength, daring to experiment with sound and vision in such a way that auditory and visual components were interdependent. Nevertheless, it still makes sense to release the soundtrack without the images. 

 The tracks on “Slow Motion” vary in length (the shortest is only 58 seconds long) and mood, but the listener never has to leave Schnitzler’s sonic universe, even without the pictures for which the music was composed. “Slow Motion” is an important document in Schnitzler’s oeuvre, seamlessly taking its place alongside his many other releases, whilst also highlighting his constructive input as an equal partner in an experimental film production. What makes “Slow Motion” particularly worth listening to is the fact that Schnitzler surrenders none of his aesthetic independence at any point in the project. It is an enduring document of its time. Asmus Tietchens, 2024

Slow Motion

Music GB

Discover Slow Motion by Conrad Schnitzler on Bureau B. Dive into the avant-garde soundscape of the 1970s with this experimental soundtrack. Vinyl records available.