Name: Festival of the Dead
Brand: Cut Hands

Bonus disc

Bonus disc: No

Catalogue number

blackestcd010

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Colour

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2014-10-13

Signed copies

Signed copies: No

Supplier GB

Cargo

Tax rate GB

Standard:20

UPC / Barcode

5055869506427

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Total Cap

1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

blackestlp010

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5055869506410

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2 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No

Artist

Cut Hands

Genre GB

Electronic

Label GB

Blackest Ever Black

Blackest Ever Black is a London-born music label that was founded by Kiran Sande in 2010. The label operated until 2019 and during its existence, it became known for its diverse range of musical genres and styles. Initially based in Berlin, the label later relocated back to London in 2016. With an impressive roster of artists and a commitment to pushing boundaries, Blackest Ever Black has left an indelible mark on the music industry.
Throughout its lifespan, Blackest Ever Black consistently showcased innovative and boundary-pushing music from various genres including electronic, experimental, industrial, and beyond. Under the guidance of Kiran Sande, the label cultivated a reputation for releasing thought-provoking and challenging records that pushed the boundaries of conventional sound.
With a strong emphasis on quality over quantity, each release from Blackest Ever Black was meticulously curated to offer listeners a unique sonic experience. The label's dedication to artistic integrity earned them respect within the industry and garnered a dedicated following of fans who appreciated their uncompromising approach to music.

Cut Hands is an influential artist known for his unique blend of experimental and electronic music. With a career spanning over two decades, he has established himself as a pioneer in the genre. His sound is characterized by hypnotic rhythms, tribal beats, and intricate percussion patterns.

Similar to artists such as Aaron Dilloway and Yellow Tears, Cut Hands pushes the boundaries of traditional music composition. His compositions are often dark and atmospheric, creating an immersive experience for listeners. He draws inspiration from various sources including African tribal music, industrial sounds, and field recordings.

Collaborating with other notable performers like Vatican Shadow and Lussuria, Cut Hands continues to evolve his sound while staying true to his experimental roots. His live performances are highly regarded for their intense energy and captivating visuals.

It is said that the gods of the dead demand you ritualistically commit to each intensely hot beat of the ceremonial drum. Now, here, is the music for their celebration of death, music to dance together with, to oblivion, a music both spectacular and ecstatic where, like never before, the spirits of santería and vaudou mix with raw electricity into burning diabolical polyrhythms. We here present Cut Hands and 'Festival Of The Dead'. This is Cut Hands' third album to date: the acclaimed Afro Noise I introduced the project in 2011, and 2012's Black Mamba expanded its feverish vision, preceded by a single of the same name on Blackest Ever Black. 2013 saw the release of the similarly fiery 'Madwoman' and 'Damballah 58' 12"s (on Downwards and BEB respectively). Festival of The Dead is without doubt the most potent distillation yet of Cut Hands' malign percussive energy, with pieces like 'The Claw' and 'Vaudou Take Me High' leading the irresistible polyrhythmic assault, in pursuit of one thing: a final rapturous celebration of oblivion. Written and produced by William Bennett. Original veve artwork by Mimsy DeBlois. Mastered by Noel Summerville. 2xLP housed in high gloss gatefold sleeve.

Festival of the Dead

Music GB