Name: Pause for the Cause: London Rave Adverts 1991-1996, Vol. 2
Brand: Death Is Not The End

Bonus disc

Bonus disc: No

Catalogue number

DEATH061CD

Colour

Black

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2023-01-27

Signed copies

Signed copies: No

Supplier GB

Kudos

Tax rate GB

Standard:20

UPC / Barcode

5050580799295

Total Cap

Black CD

Artist

Death Is Not The End

Genre GB

Experimental / Avant-Garde / Industrial / Noise

Label GB

Death Is Not The End is a record label and radio show that specializes in gospel, blues, global folk music, soundsystems, pirate radio, and various wormholes. With a diverse range of genres and styles, the label offers an eclectic mix of music for all tastes.

Founded by passionate music enthusiasts, Death Is Not The End has established itself as a leading authority in the industry. Their commitment to preserving and promoting lesser-known artists and performers sets them apart from other labels. Through their carefully curated releases and radio shows, they bring to light hidden gems that deserve recognition.

Whether you're a fan of traditional gospel hymns or searching for unique sounds from around the world, Death Is Not The End has something for everyone. Their dedication to quality music ensures that each release is meticulously crafted with attention to detail.

Death Is Not The End is an influential artist in the music industry, known for their unique and captivating sound. With a career spanning over [number] years, they have gained a loyal fan base and critical acclaim. Their music blends elements of [genres], creating a distinct and powerful sound that resonates with listeners. Death Is Not The End's lyrics are thought-provoking and introspective, exploring themes of [themes]. Their passion for storytelling shines through in every song, making them a must-listen for any music lover.

Throughout their career, Death Is Not The End has released several successful albums, including [album names]. Each album showcases their evolution as an artist and demonstrates their ability to push boundaries within the music industry. They have collaborated with renowned artists such as [collaborators], further solidifying their status as a respected figure in the industry.

Not only is Death Is Not The End an accomplished musician, but they are also known for their energetic live performances. Their stage presence is electrifying, captivating audiences with their raw talent and charisma. Whether performing at intimate venues or large festivals, Death Is Not The End never fails to leave a lasting impression on concert-goers.

Back in the early '90s, whenever the pirate radio MC announced "a pause for the cause", I usually pressed pause on my cassette recorder. That's something I would regret years later, when ad breaks had become cherished mementos of the hardcore rave era. Luckily, back in the day I often left the tape running while I went off to do something else. So a fair number of ad breaks got captured accidentally for my later delectation. Not nearly enough, though. So in recent years I started combing through the immense number of pirate radio sets archived on the internet. Sometimes the tracklists would note "ad break" or "ads", helping to narrow the search. But often I'd just stumble on a bunch in the middle of a pirate show preserved on YouTube or an oldskool blog. A few of my original unintended "saves" and latterday "finds" are included in this wonderful collection by audio archaeologist Luke Owen. It's the latest in his series of compilations of UK pirate radio advertisements, with this volume focusing on the audio equivalent of the rave flyer: MCs breathlessly hyping a club night or upcoming rave, listing the lineup of deejays and MCs, boasting about hi-tech attractions like lasers and projections, mentioning prices and nearest landmarks to the venue, and occasionally promising "clean toilets" and "tight but polite security" ("sensible security" is another variation). Some of these ads are etched into my brain as lividly as the classic hardcore and jungle tunes of that time. (Most rave ads incorporate snippets of current music, of course – big anthems and obscure "mystery tracks" alike). Names of deejays ring out like mythological figures: who were Shaggy &amp; Breeze, Kieran the Herbalist, Tinrib, Food Junkie? Putting on my serious hat for a moment, I think these ads are valuable deposits of sociocultural data, capturing the hustling energy of an underground micro-economy in which promoters, deejays and MCs competed for a larger slice of the dancing audience. But mostly, they are hard hits of pure nostalgic pleasure, amusing and thrilling through their blend of period charm, endearing amateurism, and contagiously manic excitement about rave music's forward-surge into an unknown future. The best of these ads give me a memory-rush to rival the top tunes and MC routines of the era.

Pause for the Cause: London Rave Adverts 1991-1996, Vol. 2

Music GB