Name: Ravage
Brand: Emilie Levienaise-Farrouch

Bonus disc

Bonus disc: No

Catalogue number

LP13-47

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Colour

Black

Colour details

Discogs ID

Format multiplier

Download code

Download code: Yes

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2022-06-17

Signed copies

Signed copies: No

Supplier GB

PIAS

Tax rate GB

Standard:20

UPC / Barcode

0600116134752

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Total Cap

1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No / black

Artist

Emilie Levienaise-Farrouch

Genre GB

Modern Composition

Label GB

130701

130701 is a sublabel of the British independent label FatCat Records, based in Brighton. Established in 2001, it serves as an outlet for more orchestrated and instrumental material. The label takes its name from the date of its inception: 13 July 2001. It is also known as 130701.

The label focuses on releasing music that is richly composed and showcases the talents of *artists* who create beautiful soundscapes through their instrumental works. With a commitment to quality and innovation, 130701 has become a respected name in the music industry.

As part of FatCat Records, *130701* benefits from being associated with an established and reputable record label that has been at the forefront of independent music since its formation in 1997. Together, they continue to support and promote talented musicians who push boundaries and create unique musical experiences.

Emilie Levienaise-Farrouch returns with a brilliant third album for FatCat’s 130701 imprint (Max Richter / Johann Johannsson / Dustin O’Halloran / Hauschka / etc). Ravage is the pianist / composer’s first standalone album since 2018’s Époques, following which she has been busy building a name for herself scoring an increasingly high-profile series of films. A powerful, deeply personal LP that charts the process of grieving for a parent, Emilie describes it as “the most intimate and personal project I’ve created”.

Set apart from the swathe of contemporary pianists by the boldness and bite of her sound design, whilst adding an intricate, emotive instrumental performance missing from much sound art, Emilie is steadily carving out a niche for herself as a composer with a singular sound and vision. Following recent adventurous composers like Johann Johannsson, Mica Levi and Hildur Gudnadottir, she looks set to break through as another hugely talented artist combining roles as composer for both film and her own wonderful music. 

Ravage

Music GB