Name: Steve Reich: Reich/Richter
Brand: Ensemble Intercontemporain

Bonus disc

Bonus disc: No

Catalogue number

0075597911886

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Colour

Black

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Double 140 Gram Vinyl.

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Format Music GB

Limited edition

Release date

2024-05-01

Signed copies

Signed copies: No

Supplier GB

Warner Music Group

Tax rate GB

Standard:20

UPC / Barcode

Total Cap

2 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No / black

0075597911893

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Softpack.

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2022-06-10

1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

Artist

Ensemble Intercontemporain

Genre GB

Modern Composition

Label GB

Nonesuch Records releases the first recording of <i>Steve Reich’s Reich / Richter,</i> performed by Ensemble intercontemporain and conducted by George Jackson. The composition was originally written to be performed with German visual artist Gerhard Richter and Corinna Belz’s film Moving Picture (946-3).

Reich describes Richter’s book <i>Patterns</i>, which served as source material for the film: “It starts with one of his abstract paintings from the ’90s. He scanned a photo of the painting into a computer and then cut the scan in half and took each half, cut that in half and two of the four quarters he reversed into mirror images. He then repeated this process of ‘divide, mirror, repeat’ from half to quarter, eighth, sixteenth, thirty-second, all the way up to 4096th. The net effect is to go from an abstract painting to a series of gradually smaller anthropomorphic‘creatures’ (since the mirroring produces bilateral symmetry) to still smaller very fine stripes.

“Belz described the film in terms of ‘pixels’. It begins with two-‘pixel’ stripes and the music begins with a two-sixteenth note oscillating pattern. When the film moves to four ‘pixels’, the music moves to a four-sixteenth note pattern, then to eight, and sixteen,” the composer continues. “After that, I began introducing longer note values – initially eighth notes, and later to quarter notes. By the middle of the film, when the images move from 512 to 1064 pixels, the music really slows to dotted half notes. Finally, as the ‘pixel’ count begins to diminish, the music moves back into more rapid eighths and then ending with the most intense rapid sixteenth movement.”

Steve Reich: Reich/Richter

Music GB