Name: I Love The Blues, She Heard My Cry
Brand: George Duke

Bonus disc

Bonus disc: No

Catalogue number

0212857MSW

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Colour

Black

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2022-02-25

Signed copies

Signed copies: No

Supplier GB

Proper

Tax rate GB

Standard:20

UPC / Barcode

4029759128571

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Total Cap

1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No / black

0214945MSW

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4029759149453

{"blocks": [{"data": {"text": "4029759149453"}, "type": "paragraph"}]}

1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

Artist

George Duke

Genre GB

Jazz

Label GB

George Duke was an American R&B, soul, jazz and disco producer, keyboards player and composer. Born on 12.01.1946 in San Rafael, CA, U.S.A., he had a long and extensive solo discography as well as collaborations with Jean-Luc Ponty, Frank Zappa, Stanley Clarke, Billy Cobham, Cannonball Adderley and many others.
Duke's musical career spanned several genres and he made significant contributions to the music industry. He worked with notable artists such as Dianne Reeves, George Clinton, Anita Baker and Rachelle Ferrell. His talent on the keyboard was widely recognized and his compositions showcased his versatility.
With influences from R&B to jazz fusion, Duke's unique sound resonated with audiences worldwide. His collaborations with renowned performers like The Crusaders, Joe Sample and Ronnie Laws further solidified his place in the music scene. Although he passed away on August 5th of 2013, George Duke's legacy continues to inspire musicians across generations.

MPS is a German jazz label that was founded in 1968 by Hans Georg Brunner-Schwer. It started as a successor to SABA and quickly gained recognition for its exceptional sound quality. Often compared to the renowned Blue Note label, MPS became known as Most Perfect Sound.

From 1971 onwards, MPS releases were distributed by BASF and later by Metronome Records GmbH (renamed Metronome Musik GmbH in 1977). However, in 1983, due to declining budgets for recording jazz music, Brunner-Schwer shifted his focus to classical music and sold the rights of MPS to Philips. Eventually, the label found its way under Polydor's ownership and its recordings were re-released by Motor Music starting from 1993.

In Hamburg, Universal Jazz Germany took over the MPS archives in 1999 while Speakers Corner Records released various vinyl reissues. After ten years since Brunner-Schwer's passing, Edel acquired MPS's back catalogue from Universal on January 7th, 2014. Now led by Andreas Brunner-Schwer and Friedhelm Schulz, the team has returned to Villingen where they continue recording new material.

Back In Stock

On the fourth album of his fusion cycle for the man from the Black Forest, George Duke substantially expanded the number of his colleagues. As before, drummer Leon “Ndugu” Chancler beats as the heart of the rhythm section, and the Brazilian couple, Airto and Flora are again on board. The ten tracks perform a stylistic balancing act. The jittery funk of Chariot and the smooth ballad Someday show off Duke’s soulful vocal flair. Flora Purim crowns the complex Look Into Her Eyes with her spheric sound as she and guitarist George Johnson take care of business on this stratospheric piece with its bluesy electric shuffle. With two high-voltage guitarists (Daryl Stuermer and Byron Miller), That’s What She Said points to the tie between rock and funk. 

The most eye-opening outing occurs with star guitarist Lee Ritenour stomping on Rokkinrowl, I Don’t Know, and its Hendrix parody. Sister Sirene shows that, naturally, the typical dreamy Duke instrumentals are not left off the album. An almost animistic soundscape is woven into the fabric of Mashavu, and Giant Child Within Us – Ego is a small fusion suite encompassing the spectrum from the classical to the Zappaesque finale. The title piece is indeed a blues, dished out pure and simple – a far cry from the sounds of the preceding piece with its mountains of synthesizers. Rather, the sultry delta heat, the acoustic simplicity and raw truth of the song prevail – the blues.

I Love The Blues, She Heard My Cry

Music GB