Name: And In The Endless Pause There Came The Sound Of Bees
Brand: Johann Johannsson

Bonus disc

Bonus disc: No

Catalogue number

4863244

{"blocks": [{"data": {"text": "4863244"}, "type": "paragraph"}]}

Colour

Black

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2022-10-21

Signed copies

Signed copies: No

Supplier GB

Universal

Tax rate GB

Standard:20

UPC / Barcode

0028948632442

{"blocks": [{"data": {"text": "0028948632442"}, "type": "paragraph"}]}

Total Cap

1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No / black

Artist

Johann Johannsson

Genre GB

Modern Composition

Label GB

Deutsche Grammophon

Deutsche Grammophon, also known as Deutsche Grammophon Gesellschaft, has been the leading classical music label of German record company Deutsche Grammophon GmbH since 1949. Before that, the label Grammophon was used until 1943, along with the Nipper dog. From 1942-1948, the Siemens Spezial label was used. The branding "Deutsche Grammophon Gesellschaft" was used until 1970. In 1957, the "cartouche" design featuring a garland of tulips was introduced. Known for its high-quality recordings and extensive catalog, Deutsche Grammophon has released music from renowned artists and performers in various series such as *Deutsche Grammophon Debut*, *AvantGarde*, *Deutsche Grammophon Resonance*, *Collectors Edition*, and *Festival Of Hits*. With a rich history spanning decades, Deutsche Grammophon continues to be a trusted name in classical music.

Label Code: LC 00173 / LC 0173

*Note: Inner poly lined dust sleeves for some Deutsche Grammophon pressings and reissues usually show a manufacturing date.*

Back In Stock

An accompaniment to the animated film Varmints, this is a collection of achingly beautiful orchestral work balanced on a bed of Jóhannsson’s patented electronics. Surprisingly however, the film itself is not intrinsic to the enjoyment of the music; Jóhannsson’s score stands alone perfectly as a haunting collection of tracks. As with most soundtracks, the album is made up of a selection of repeating themes which appear and disappear throughout the record; Jóhannsson manages to approach this with such subtlety you can’t always even tell that a familiar theme is drifting in and out of each track. The clouds of ambience and growls of synthesizer that underpin the lilt of the orchestra are crucial to the record and give a similar warmth similar to what made Englaborn so very special. These pieces are memorable and deeply moving, and within one listen you could almost visualise the film itself, or at least a home made version. Soundtrack or not, Jóhannsson created here yet another peerless collection of electronic / classical vignettes you won’t be forgetting any time soon.

And In The Endless Pause There Came The Sound Of Bees

Music GB