Name: Lololi Lomko
Brand: Mawuli Decker

Bonus disc

Bonus disc: No

Catalogue number

MSR023

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Colour

Black

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2020-11-20

Signed copies

Signed copies: No

Supplier GB

Kudos

Tax rate GB

Standard:20

UPC / Barcode

5050580751071

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Total Cap

1 / 7" / Extended format: No / Rough Trade Exclusive: No / Signed copies: No / black

Artist

Mawuli Decker

Genre GB

African

Label GB

Matasuna Records

Mawuli Decker was born in 1949 in Ghana, where he also grew up. His musicality has been given to him from an early age, so that he not only attracts attention as a singer, but also plays drums, percussion and bongo. He played in various dance bands, which were very popular in Ghana especially from the middle of the last century onwards and made the Ghanaian highlife known beyond the borders. He has played in various dance bands such as New Planets, Sawaaba Sounds, The Tops, Caprice 73, The Volta Pioneers and others, which have performed in Ghana and other West African countries. His first release was in 1975 with the band Dzobi Soundz on the Polydor label. Further releases of projects with his participation followed, until 1983 when he recorded his album Ayo Special at Otodi Studio in Lome (Togo) with an illustrious group of musicians. He is still deeply rooted in music and performs in West Africa and is still very active in recording. On the A-side is the original version of the song Lololi-Lomko, sung in the EWE language, which is spoken in the south of Ghana as well as the southern parts of Togo. "Lololi" means "There's Still More Love" and "Lomko" stands for "Please love me" - classical themes that have appeared in countless songs in music history. Although a certain catchiness of the track cannot be denied, it doesn't seem cheesy at any point. Mawuli, who also contributes the vocals, creates perfectly formed harmonies through his compositions and arrangements, which are especially apparent in the bassline, guitars &amp; brass and of course the vocals.

This was certainly also the idea behind the edit of Renegades of Jazz on the B-side, which did not want to break up and alienate the organic composition. Listening closely reveals the approach: a steady tempo, a more powerful bassline and additional drums and percussions bring the song back directly to where it belongs: to the dancefloors of this world!

Lololi Lomko

Music GB