Name: Zenith
Brand: Molly Nilsson

Bonus disc

Bonus disc: No

Catalogue number

LSSN035B2

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Colour

Black

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2022-02-11

Signed copies

Signed copies: No

Supplier GB

Forte

Tax rate GB

Standard:20

UPC / Barcode

5060446120217

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Total Cap

1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No / black

Artist

Molly Nilsson

Genre GB

Electronic

Label GB

Night School

Molly Nilsson is a Berlin-based Swedish musician and producer. She first gained recognition under the name 'Formerly Known As White Bread!' and has since established herself as a prominent figure in the music industry. With her bedroom studio, Nilsson creates captivating and introspective music that resonates with listeners worldwide.
Nilsson's unique sound is characterized by her haunting vocals and atmospheric production. Her self-released albums showcase her artistic vision and uncompromising approach to creating music. Through her heartfelt lyrics and emotive melodies, she offers a glimpse into her inner world, inviting listeners to connect on a deep level.
As an independent artist, Nilsson has garnered a dedicated fanbase who appreciate her raw talent and authentic expression. Her music transcends genres, encompassing elements of synth-pop, indie rock, and lo-fi aesthetics. With each release, she continues to push boundaries and captivate audiences with her evocative storytelling.

Night School is a Glasgow-based music label that has been making waves in the industry since its inception. Founded by [a2776288], this label has quickly become known for its diverse roster of talented artists and unique sound.

With a focus on promoting underground and experimental music, Night School has established itself as a leading force in the independent music scene. The label's releases span across various genres, including indie rock, electronic, folk, and more.

What sets Night School apart from other labels is their commitment to nurturing emerging talent. They provide a platform for *up-and-coming* artists to showcase their work and gain recognition within the industry. This dedication to supporting new voices has earned them a loyal fan base and critical acclaim.

A sweeping, cinematic, emotional change is in the air. Molly Nilsson's sixth studio album Zenith begins with clear, wide eyes open to Earth as we would love it to be but seldom is. Recorded in her home of Berlin and whilst touring and, as ever, conceived, produced, written and recorded in solitude, Zenith is Nilsson's big statement and consequently her most affecting work to date. It sees her reveling in big arrangements, sweeping synth strings, bigger choruses and emotions. Like the rest of us she looks within and to endless sunsets in wonder and puzzlement. That Molly Nilsson is a DIY cult figure is beyond question; she has always written directly and with wit straight down the line between the universal and the personal. The difference with Zenith, and you can hear it in the opening chords of opener The Only Planet, is that her scope is now much wider and her heart heavier than ever before: over a post-ecstatic dusk, Nilsson serenades the globe in a loving embrace. Following on, 1995 is, arguably, one of Nilsson's finest songs to date. It's one of those songs to learn the lyrics to, to listen to on repeat, a reason to wear the grooves down to the bone, it's why pop music can be one of the greatest art forms we have. It's an example of how, on this album, Molly draws the listener closer to her heart than ever before. There's simply no escape from the line "The plans that you made / when you still had the time / I've saved all the things that you left behind but by now I guess I'd consider them all mine / Windows 95, is only a metaphor for what I feel inside / Although I'm older now / there's still an emptiness that's never letting go somehow." Show-stopper Mountain Time is the soundtrack to being on the run, from societal conventions, from normative ideas of happiness, from your surroundings. It's the intoxicating call of the renegade. That's not to say that Nilsson's light touch has been forsaken for grandiose statements. Bunny Club begins as a demo-sketch before breaking into a fast-paced tale of doomed romance with big rave synths and Bus 194 (All There Is) sees Molly joyride through a city on a happy hardcore bus. But it's tracks like Tomorrow and another contender for best-ever-Molly moment, Happyness that the true scale of what she's accomplished reveals itself. We're locked in a spiraling orbit, strings and bass whirling, gazing at the spinning planet below us as we contemplate both the ultimate freedom in loneliness and the glimmer of hope in the Other. Can we ever be truly with someone? Are we ever truly alone? Over the 13 tracks here we get the impression that Nilsson may always be restless; like anyone else she has conflicting feelings of love and hate. It's just not many other people can tell you exactly how you feel before you know it yourself.

Zenith

Music GB