Name: Oui Bitte
Brand: Station 17

Bonus disc

Bonus disc: No

Catalogue number

BB430LP

Colour

Black

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2023-05-19

Signed copies

Signed copies: No

Supplier GB

Shellshock

Tax rate GB

Standard:20

UPC / Barcode

4015698406603

Total Cap

Black LP

BB430

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4015698288438

Artist

Station 17

Genre GB

Krautrock

Label GB

Bureau B

Bureau B is an independent record label, music publisher, and booking agency based in Hamburg, Germany. Founded in 2005 by Gunther Buskies as a sister label to Tapete Records, Bureau B specializes in releasing a diverse range of electronic and avant-garde music. With a focus on reissues and new productions, the label has built an extensive catalogue that includes iconic albums from the Krautrock genre of the 1970s and early 1980s. They also release recordings by influential artists such as Die Wilde Jagd, Kreidler, Toulouse Low Trax, and more.

Known for their commitment to preserving classic electronic music, Bureau B has been rereleasing albums from renowned artists like Cluster, Faust, Moebius, Roedelius, Plank, Schickert Schnitzler Tietchens Tyndall. In addition to these reissues, they also release works by similar artists including Blenner Heldon Pinhas Rev or NDW Plan Pyrolator.

With their impressive catalogue and dedication to promoting innovative music across various genres within the electronic spectrum - from pop to avant-garde - Bureau B continues to be a prominent force in the global music industry. Their contributions have solidified them as an authoritative figure in the world of independent labels.

Oui Bitte&nbsp;shows Station 17 as a band of experts in a kind of acoustic transcendence. Their music tenderly forces you to engage in all of this at the same time. Already in the field recordings of the Elbe shore with which “20.000 Meilen unter dem Mond” begins you are being offered a pact: Hand over all control to the music, swim out to the open sea and be thrown back to yourself – just so you can indulge in the sonic waves. That prelude seems programmatic: In the following 40 minutes you are being carried along, you are being amused, catapulted, earthed, moved.

Oui Bitte&nbsp;manages to douse the resonance body, to drift away, to wash ashore, to take off. The landing: always soft! The biggest continuity is the positive vibe, a reliable air host, pleasant, more shell than irritation. Station 17 do not produce cracks in the dam, they are smoothing out riverbeds. “Bewegung” then appears as the highlight of the album, a manifestation of the idea Station 17. Move your mind and move your body, as Birgit Hohnen says here, a deceased companion of the group who is being projected into the present of the song through a sample. With your eyes closed this track allows you to take off meditatively. And then there’s the latent melancholy which finds its way in. This futuristic music of the past stays warm, stays cordial, stays inviting: to the sonic utopia of a more beautiful world which has already been established by this album at this point and by this band in any case. In the end the record takes its time, a wide room is designed, meters are being covered. In the calmness of the last song a contradiction pops up: “Das Rasen” (“The rushing”). But the contradiction dissolves: If you listen closely, you are gliding through the high grass (“Rasen”) on which to lie down and listen to&nbsp;Oui Bitte&nbsp;invites. Yes, please: Repeat!

Oui Bitte

Music GB