Name: White Trash Boom-Boom
Brand: White Trash Boom-Boom

Bonus disc

Bonus disc: No

Catalogue number

DE254

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Colour

Black

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Numbered.

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Format Music GB

Limited edition

Release date

2021-08-06

Signed copies

Signed copies: No

Supplier GB

Cargo

Tax rate GB

UPC / Barcode

0794811515005

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Total Cap

1 / 7" / Extended format: No / Rough Trade Exclusive: No / Signed copies: No / black

Artist

White Trash Boom-Boom

Genre GB

Disco / Balearic

Label GB

Dark Entries

Dark Entries is a record label based in San Francisco, California, USA. Established in 2009 by an individual with a passion for music, Dark Entries specializes in offering a diverse range of out of print, unreleased, and contemporary underground music. With a focus on bringing unique and obscure sounds to the forefront, this label has become synonymous with quality and innovation.

At Dark Entries, we pride ourselves on our commitment to showcasing artists who push boundaries and challenge traditional norms. Our catalog features an eclectic mix of genres including post-punk, synth-pop, industrial, disco, and more. We strive to provide music enthusiasts with access to rare gems that are not easily found elsewhere.

With an unwavering dedication to preserving musical history while also nurturing emerging talent, Dark Entries continues to be at the forefront of the independent music scene. Our mission is simple: to share *hidden treasures* from the past alongside cutting-edge releases from today's most exciting artists. Join us on this sonic journey as we explore the depths of underground music together.

The deep archives of disco legend and synth wizard Patrick Cowley continue to prove inspirational for Dark Entries. In 1973, Theresa and Janice formed White Trash Boom-Boom, an all-female avant-garde performance troupe. Reacting to the Angels of Light and the Cockettes, they captured the spirit of the times: camp, confrontational, and delirious. Theresa recalls, "We brewed a brand of performance that steered away from the doctrinaire and reveled in ambiguities." Patrick provided their theatrical experiments with appropriately zany musicalaccompaniment. Side A features two songs from the “Country and Western” skit, “Bride” and “Beer and a Pizza”, which were written by Janice and Karen Dunaway and produced by Cowley. The feminist skit tackled the issue of women’s limited life choices in society. The B-side contains “Baciami” and “Spengo la Luce”, two songs from “Goes to Little Italy”, a skit addressing Catholic expectations of femalechastity, performed in 1974 on top of the bar at the Stud. These songs were lifted from an Italian folk 7” found at a thrift store, andfeature “improvised” Italian. The material on Boom-Boom shows Cowley flexing his synthesizer muscles to create curiously camp genre pieces. This is an essential document of a bygone era.

Music GB