Name: Transatlanticism
Brand: Death Cab For Cutie

Bonus disc

Bonus disc: No

Catalogue number

CD-BARK-032

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Colour

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

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Format Music US

Limited edition

Release date

2008-07-29

Signed copies

Signed copies: No

Supplier US

Redeye

Tax rate US

Sales:8.875

UPC / Barcode

655173103227

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Total Cap

1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

Artist

Death Cab For Cutie

Genre US

Rock-Pop

Label US

<p>Death Cab For Cutie is an American indie rock band that was formed in Bellingham, Washington in 1997. With their unique sound and heartfelt lyrics, they have become a staple in the music industry. Known for their introspective and melodic songs, Death Cab For Cutie has captivated audiences worldwide. Their discography includes numerous critically acclaimed albums such as "Transatlanticism" and "Plans". Whether you're a long-time fan or new to their music, Death Cab For Cutie's emotional and captivating sound is sure to leave a lasting impression.</p>

With songs equal to those on We Have the Facts and a lush, brilliant production that continues what The Photo Album started, Transatlanticism is easily Death Cab's best record to date. Much attention has duly been focused on doe-eyed singer/lyricist Ben Gibbard, co-star of the Postal Service phenomenon, and Ben's voice is as strange, beautiful, and as strong as ever on these songs, which deal with the difficulties of long-distance relationships. But guitarist/producer Chris Walla once again proves himself to be the band's secret weapon, layering subtle sonic touches throughout Transatlanticism, which is most definitely a "headphone record." This Seattle quartet is one of the only bands to really have picked up the intelligent, emotionally resonant, and guitar-driven indie-pop torch that Built to Spill briefly lit in the mid-1990s (before themselves heading off to the stoner-rock territory). DCFC themselves seem poised to finally break out to a wider audience, and they truly deserve it with this disc.

Transatlanticism

Music US