Name: Grass And Trees
Brand: Earthen Sea

Bonus disc

Bonus disc: No

Catalogue number

KRANK222CD

{"blocks": [{"data": {"text": "KRANK222CD"}, "type": "paragraph"}]}

Colour

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music US

Limited edition

Release date

2019-06-07

Signed copies

Signed copies: No

Supplier US

Revol­ver

Tax rate US

Sales:8.875

UPC / Barcode

796441822225

{"blocks": [{"data": {"text": "796441822225"}, "type": "paragraph"}]}

Total Cap

1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

Artist

Earthen Sea

Genre US

Electronic

Label US

Kranky

Earthen Sea is an acclaimed artist known for his mesmerizing and atmospheric soundscapes. Drawing inspiration from ambient, dub techno, and experimental music, *he* creates immersive sonic landscapes that transport listeners to otherworldly realms. With a unique blend of organic textures and electronic elements, *his* music evokes a sense of tranquility and introspection.

Influenced by artists such as Billow Observatory, Pan-American, and Loscil, Earthen Sea has carved out *his* own distinct sound within the genre. Through layers of ethereal melodies, pulsating rhythms, and deep basslines, *he* weaves intricate sonic tapestries that captivate audiences worldwide.

With a discography spanning several critically acclaimed albums on respected labels like Kranky Records and Lovers Rock Recordings, Earthen Sea has established himself as a prominent figure in the ambient music scene. Collaborations with artists like The Sight Below and Yagya have further showcased *his* versatility as a producer.

Jacob Long’s reductionist rhythmic ambient vessel, Earthen Sea, ebbs towards a more purely elemental state on his second excursion for Kranky, Grass And Trees. He describes the creative process as one of “simplifying things as much as possible,” designing uncluttered spaces traced in nothing but breath, field recordings, and “sounds that could be played by hand but weren’t.”

The results feel decentralized but dynamic, low-lit evocations of ambiguous nocturnal environments—dub techno disassembled into stray pulses and spare parts. It’s a music both interior and infinite, languorous yet transformative, made in the outer boroughs of a metropolis but existing in its own liminal wilderness. Long’s vision is a grounding one, rooted in the physical body but attuned to larger currents: “In response to living in a fairly hectic city, and at a very hectic time for the world at large, creating something more drawn back and restrained felt appropriate.”

Grass And Trees

Music US