Name: Eins und Zwei und Drei und Vier: Deutsche Experimentelle Pop-Musik 1980-86
Brand: Various Artists

Bonus disc

Bonus disc: No

Catalogue number

BB 381LP

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Colour

Black

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music US

Limited edition

Release date

2021-11-19

Signed copies

Signed copies: No

Supplier US

Forced Exposure

Tax rate US

Sales:8.875

UPC / Barcode

4015698331981

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Total Cap

2 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No / black

Artist

Various Artists

Genre US

Rest of World

Label US

BUREAU B (GERMANY)

Do not adjust your sets. Take a step back from the tracking. This is the sound of Germany's musical youth let loose on cheap synths and pawnshop guitars. A record of a disparate scene of squat pop-stars, art school upstarts and committed non-musicians who redefined German music in the first half of the 1980s. By the dawn of the new decade, punk had burnt out in a frenzy of feedback, reshaping the musical landscape before burrowing back into the underground for a period of reinvention. But the scorched earth it left behind proved to be fertile soil, nurturing a new movement grass-rooting through Germany's major cities. For the first time the country had its own youth culture, spilling out of the squats of Hamburg and West Berlin, occupying the art scene in Düsseldorf and Köln and congregating around independent record shops stocked with angsty import 7"s. Empowered by punk's DIY spirit, these kids valued conviction over competence, opting to ignore the industry and make music for themselves, sung in their own language. Even the cats we now call krautrock, revolutionary though they were, mostly sang in English, adopting the lingua franca of rock n' roll as a shorthand for authenticity for a native crowd who wouldn't have it any other way. This new scene rejected the expected, celebrating freedom of expression above all else. Armed with unconventional instruments, newly affordable electronics and rudimentary recording gear, they worked from the ground up, building basic rhythms and simple melodies into mutant grooves and following their imagination wherever it took them. The result was a genre fluid wave of fusion pop pulled from funk, punk, jazz and reggae; united in attitude rather than aesthetic. Lyrically, the groups explored the serious and silly, embracing the irreverence of dadaism to deliberately displease the earnest alternatives of the older generation. Features Der Plan, Die Partei, P!OFF?, Palais Schaumburg, Dunkelziffer, Populäre Mechanik, Andreas Dorau (Die Doraus &amp; Die Marinas), Pyrolator, Träneninvasion, Deutsche Wertarbeit, Asmus Tietchens, Die Fische, Conrad Schnitzler, Carambolage, Xao Seffcheque, Foyer des Arts, Die Zimmermänner, Östro 430, Die Radierer, and Holger Hiller.

Eins und Zwei und Drei und Vier: Deutsche Experimentelle Pop-Musik 1980-86

Music US